(2006) Software Actions [PDF, 4.4MB] in Joasia Krysa, ed., Curating Immateriality, New York: Autonomedia, pp. 69-79.

(2005) Introduction to 'The Author as (Digital) Producer' with Joasia Krysa [PDF, 284KB] in, also ed. Engineering Culture, New York: Autonomedia, pp. 7-29.

(2005) System Error: economies of cultural production in the network society with Joasia Krysa [PDF, 204KB] in Malcolm Miles, ed. New Practice - New Pedagogies: a reader London: Routledge, pp. 29-38.

(2004) Introduction to 'The (Digital) Culture Industry' with Joasia Krysa & Anya Lewin [PDF, 120KB] in, also ed. Economising Culture, New York: Autonomedia, pp. 7-21.

(2004) Coding Praxis: reconsidering the aesthetics of code with Alex McLean & Adrian Ward [PDF, 872KB], in Olga Goriunova & Alexei Shulgin, eds., Read_me: Software Art & Cultures, Aarhus: Digital Aesthetics Research Centre, pp.161-174; earlier version presented at as part of Programmation Orientee Art, University of Paris, Sorbonne.

(2004) Anagrams of Orderly Disorder (for the new Global Order) with Joasia Krysa & Adrian Ward [PDF, 444KB] in Crisis Media: The Sarai Reader 4, Sarai & de Waag, pp. 415-420.

(2003) software art jury statement with Casey Reas and Kate Rich, for transmediale 04, Berlin [PDF, 32KB].

(2003) Art as Engineering: Techno-Art Collectives and Social Change with Joasia Krysa [PDF, 320KB] in Art Inquiry, Lodzkie Towazystwo Naukowe, Lodz, Poland.

(2003) On Immaterial Curating: the Generation and Corruption of the Digital Object with Joasia Krysa [PDF, 1.6MB] in Zeszyty Artystyczne, no. 11, University of Poznan, pp. 104-115 (published in Polish as O zadaniach kuratorow wobec obiektow niematerialnych: generowanie I uszkadzanie obiektow cyfrowych trans. Marta Walkowiak).

(2003) Why Look at Artificial Animals? with Adrian Ward, [PDF, 352KB], in Roy Ascott, ed., (2005) Engineering Nature, Bristol: Intellect, ISBN 184150128X, pp. 115-119.

(2002) Generating Orderly Disorder: or, suggested upgrade of 'the author as producer' (and alternative version Generation and Corruption) [PDF, 132KB] conference paper, Marxism and the Visual Arts Now, University College London.

(2001) The Aesthetics of Generative Code with Adrian Ward & Alex McLean [PDF, 60KB] for Generative Art 00 conference, Politecnico di Milano, Italy - http://www.generative.net/papers/aesthetics/index.html, also in Eugene Thacker, ed, Hard_Code: narrating the network society, Boulder, CA: Alt-X Press [hardcode.pdf, 64KB].

(2001) Cover Versions: The Communist Manifesto in Cabinet magazine, issue 4, Fall; and reprinted (2004) in What, How & For Whom, Zagreb: Arkzin, pp.12-25.

(2000) Manifest: Reframing False Consciousness with Tim Brennan [PDF, 96KB] Consciousness Reframed, conference paper, University College Newport, Wales, & Phenomenology conference, University College, Cork, Eire.

(1999) The Authorship of Generative Art with Adrian Ward, for Generative Art 99 conference, Politecnico di Milano, Italy - http://www.generative.net/papers/authorship/index.html

(1999) Agent Provocateur: questions of human-machine agency and on-line ethnographic arts practice for Invencao conference, ISEA-Leonardo-ITAU, Sao Paulo, Brazil.

(1999) Crowd Code: collectivity and connectivity with Mark Winstanley, in Living in the Material World, conference proceedings, Coventry University.

(1999) The Digital Crowd: some questions on globalisation & agency [PDF, 36KB] in Design Issues, volume 15, number 1, Spring, MIT Press.

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