CURRICULUM VITAE ---------------- Geoff Cox M: +44 (0)7813 787862 E: geoff@generative.net W: http://www.anti-thesis.net/ EDUCATION: 2006 PhD Antithesis: The Dialectics of Software Art (supervisors Professor Roy Ascott & Dr. Andreas Broeckmann; examiners: Dr. Charlie Gere, Dr. Jeremy Valentine and Dr. Peter Jagodzinski), Planetary Collegium, University of Plymouth 1991-92 Goldsmiths College (Sociology Dept), University of London 1984-86 MA (RCA) Photography, Royal College of Art, London 1980-83 BA Art & Design, Bradford & Ilkley Community College 1978-79 Foundation Studies, Plymouth College of Art & Design EMPLOYMENT: 2006- member of research faculty, MFA New Media, Transart Institute (Donau University, Krems, Austria) 1999- 0.75 Lecturer in Computing, Faculty of Technology, University of Plymouth [from 2002, programme manager MA|MSc|MRes Digital Art & Technology] 1992-01 0.5 Lecturer in Media Arts, Faculty of Arts, University of Plymouth 1994-98 Education programmer, Camerawork Gallery, London 1991-93 Part-time Lecturer, School of Architecture, South Bank University, London 1988-91 Associate Lecturer in Fine Art, Polytechnic South West, Faculty of Arts & Design 1987-88 Fellowship in Arts Communication, Exeter College of Art & Design 1986-87 Photo workshop coordinator, Montefiore Community Education Centre, London E1 1986 Photography Technician/Tutor, UCLA summer course, Royal College of Art 1987-> Visiting Lecturer: Dartington College of Arts (2004); University of East London (2000 & 2002); Central St. Martins (1999); Goldsmiths College (1998/99); John Moores University, Liverpool (1997); Staffordshire Polytechnic (1988-90); Harrow College of Higher Education (1987). PUBLICATIONS: (forthcoming 2008) 'Perl' (with Adrian Ward), in Matthew Fuller, ed. Software Studies: a Lexicon, Cambridge, Mass.: MIT Press. (forthcoming 2007-8) Cover Versions, (with Dejan Krsic), Zagreb: Arkzin. (forthcoming 2007) 'Praxis de la programmation' (with Alex McLean & Adrian Ward), in David-Olivier.Lartigaud, ed., Programmation Oriente Art, LAM (Laboratoire des Arts et Mdias - Universit Paris 1 Panthon-Sorbonne) HYX publishing company (forthcoming 2007) 'Generator: about Generative Art and/or Software Art', in Judith Rugg, ed., Issues in Curating, Contemporary Art and Performance, Bristol: Intellect. (forthcoming 2007) 'Sub disorder(): after The Author as Producer', in Matthew Beaumont, John Roberts, Andrew Hemingway & Esther Leslie, eds., As Radical as Reality itself: Essays on Marxism and Art for the 21st Century, London: Peter Lang. 2007 Review of Ned Rossiter's Organized Networks: Media Theory, Creative Labour, New Institutions, in Leonardo Reviews 40:5, ISSN: 1559-0429, http://leonardo.info/ldr.html 2007 Review 'The Circular Story of Black Arts Policy' of Richard Hylton's 'The Nature of the Beast' for Mute (http://www.metamute.org/en/Foreclosing-The-Nature-of-the-Beast). 2006 'Software Actions', in Joasia Krysa, ed., Curating Immateriality, New York: Autonomedia, pp. 69-79. 2005 'Why Look at Artificial Animals?' (with Adrian Ward) in Roy Ascott, ed., Engineering Nature, Bristol: Intellect, ISBN 184150128X, pp. 115-119. 2005 'Revolutionary Fragments' (with Joasia Krysa), co-editor of Magazyn Sztuki, no. 32-33, (http://www.magazynsztuki.pl/mambo/index.php?page=shop.product_details&flypage=shop.flypage&product_id=7&category_id=2&option=com_virtuemart&Itemid=36&lang=polish) 2005 Engineering Culture: on The (Digital) Author as Producer, edited book (with Joasia Krysa), New York: Autonomedia, ISBN 1-57027-170-4. 2005 'System Error: economies of cultural production in the network society' (with Joasia Krysa), in Malcolm Miles ed., New Practices/New Pedagogies, London: Routledge, ISBN 0415366186. 2004 Economising Culture: on The (Digital) Culture Industry, edited book (with Joasia Krysa and Anya Lewin), New York: Autonomedia, 256pp, ISBN 1-57027-168-2. 2004 'The Object of Corruption', in Julie Bacon, ed., The Suicide of Objects, Ulster: Catalyst Arts, ISBN 0-9549082-0-1 2004 'Notes Towards a Poetics of Code', in Verbindingen Junctions 7 catalogue, Brussels: Constant vzw, pp.42-47. 2004 'Coding Praxis: Reconsidering the Aesthetics of Generative Code' (with Alex McLean & Adrian Ward), in Olga Goriunova & Alexei Shulgin, eds., Read_me: Software Art & Cultures, Aarhus: Digital Aesthetics Research Centre, pp.161-174, ISBN 87-9884440-4-0. 2004 'Cover Versions' (reprint), in Dejan Krsic, ed., What, How & For Whom: on the occasion of the 152nd anniversary of the Communist Manifesto, Zagreb: arkzin, pp.12-25, ISBN 953-6542-84-6 2004 email discussion, in Lucy Kimbell, ed., New Media Art: Practice and Context in the UK 1994-2004, Arts Council/Cornerhouse, ISBN 0948797886. 2004 'Anagrams of Orderly Disorder (for the New World Order)' (with Joasia Krysa and Adrian Ward), Crisis Media: The Sarai Reader 4, Delhi: Sarai & de Waag, pp. 415-420, ISBN 81-901429-4-1. 2004 'O zadaniach kuratorw wobec obiektw niematerialnych: generowanie I uszkadzanie obiektw cyfrowych' [Immaterial Curating: the generation and corruption of the digital object] (with Joasia Krysa), trans. Marta Walkowiak, in Lukasz Ronduda, ed., Zeszyty Artystyczne, no. 11, Poznan: Uniwersytet Poznanski, pp. 104-115, ISSN 1232-6682 2003 'Art as Engineering: techno-art collectives and social change' (with Joasia Krysa), Ryszard W. Kluszczynski, ed., Art Inquiry, vol. V, 'Cyberarts / Cybercultures / Cybersocieties', Lodzkie Towazystwo Naukowe (Lodz Science Society), pp. 33-48, ISSN 0459-6854. 2002 Notes Towards the Complete Works of Shakespeare, limited edition artists book & DVD, published by Kahve-Society, produced by Book Works, ISBN 0-9541181-2-X. [including extensive press coverage in national and international newspapers and broadcast media] 2002 'Generator: the dialectics of orderly disorder', conference paper, Creativity & Cognition Proceedings ISBN 1-58113-465-7, ACM Press, pp. 45-49, http://portal.acm.org/citation.cfm?id=581719&coll=GUIDE&dl=GUIDE&CFID=69818884&CFTOKEN=98840885. 2002 'The International Art World and its Exclusions: a Coffee-House Conversation' in, engage: Inclusion under Pressure, issue 11, ISSN 1365-9383, pp.22-27. 2002 A Coffee-House Conversation on the International Art World & its Exclusions, e-book, http://www.kahve-house.com/society/conversations/ editor, published by Kahve-Society with Autograph, ISBN 0-95411-81-1-1, 90pp. 2001 'Cover Versions', image/text, in, Cabinet magazine, New York: Immaterial, Autumn issue, ISSN 1531-1430, pp.85-7. 2001 'The Aesthetics of Generative Code' with Ade Ward & Alex McLean, in Eugene Thacker, ed, Hard_Code: narrating the network society, Boulder, CA: Alt-X Press, ISBN 1-931560-04-8, 24K, 22pp, http://www.altx.com/ebooks/download.cfm/hardcode.pdf 2001 'The Authorship of Generative Art' in Kestutis Andrasiunas, ed,.agon [dotagon] online journal [from Media Centre in Lithuania], http://www.o-o.lt/agon/ 2000 Autoicon, CD-Rom, produced with Mike Phillips, software by Adrian Ward, published by inIVA & STAR, ISBN 189984631X 2000 'The Violent Silence of The Nose', chapter in Nose Book: representations of the nose in literature and the arts, edited by Victoria de Rijke, Lene stermark-Johansen, Helen Thomas, Middlesex University Press, ISBN 1898253277, pp. 283-298. 2000 'Erasing as Making', with Howard Hollands & Victoria de Rijke, in, Putnam, Facey, Swales, eds., Making/Unmaking, Design History Society, pp.278-293, ISBN 1-86137-2272. 1999 Manifest with Tim Brennan, book published by Working Press, 48pp. ISBN 1-870736-48-6, http://www.46liverpoolst.org 1999 'The Digital Crowd: some questions on globalisation & agency', journal article in, Design Issues, volume 15, number 1, Spring, MIT Press, ISSN 0747-9360. 1999 Guidebook: three manoeuvres by Tim Brennan in London E1/E2, co-edited book (with Tim Brennan) and introduction, published by Camerawork, 84pp. ISBN 1-871103-12-6; and associated video, 'Dislocation' (with Mike Lawson-Smith). 1999 The Impossibility of Art Education co-edited book with Howard Hollands & Victoria de Rijke (in collaboration with Middlesex University's REALL research group), published by Camerawork, 88pp. ISBN 1-871103-13-4. 1998 'An Impossible Art Education Manifesto', with Howard Hollands & Victoria de Rijke, in 'Manifesto or Policy (or Logo)'?, Engage Four, pp. 12-13, ISSN 1365-9383. 1998 The Work of Art... CD-Rom and website, http://www.obsolete.com/artwork/ with Chris Rodrigues, Phaedra Stancer et al, published by Camerawork. See - Michael Rush, 'New Media in Late 20th-Century Art', Thames & Hudson 1999, p.196. also catalogue essay for In-Print exhibition by Quay Art in partnership with Ferens Art Gallery 2000, http://www.in-print.org.uk/essays/cox-pp.shtml 1998 Digital Laboratory CD-Rom contribution of work in progress (from 1995), published by London Electronic Arts. 1997 review of Networking: art by post and fax, for South West Arts. 1996 This Paper is Intentionally Blank, limited edition book co-authored with Victoria de Rijke and Sophie Weeks, published by Camerawork, ISBN 1-871-10307-3; associated article in New Times with Kevin Davey. 1995 A-BAA, in 'Mediaspace' satellite broadcast & journal, Intelligent-Tutoring-Media, 3/4, 1996, Intellect ISSN 09579133. 1995 Reviews for Creative Camera magazine: The Amazing Me & Simon Robertshaw's The Nature of History. 1994 'This is Not the National Curriculum for Art', book and postcard set, co-authored with Victoria de Rijke, published by Middlesex University, ISBN 1-85924-033-X. 1994 'This is Not an Essay' in, Jane Grant, Memento Mori exhibition catalogue, Spacex Gallery/Royal Albert Memorial Museum, Exeter. 1992 'Undoing Unity' commissioned essay for Shifting Borders exhibition, Laing Art Gallery, Newcastle upon Tyne. 1991 Catalogue essay on Richard Hylton, in FOUR x4 installations (curated by Eddie Chambers), Arnolfini. 1991 'A Community Practice?' article for The Sheffield Media Show booklet. 1991 In The Future... book compilation with Jane Grant of work by 40 disabled adults on ambitions and dreams. 1984 'Self Portraits' Article/photographs in Creative Camera, No234. 1982 Self-Portraits book in collaboration with boys from McMillan Special School, Bradford. SYMPOSIA & SEMINARS ORGANISED: 03/2007 'Social Hacking' seminar with Kurator, Plymouth City Museum & Art Gallery (speakers: Saul Albert, c6, IAA, Ludic Society, Mikro Orchestra, McKenzie Wark). 11/2006 'Say It As It Is' series of talks with Unit 2 Gallery and Kahve-Society, London Metropolitan University (speakers: Peter Fend, John Jordan, Virginia Nimarkoh). 06/2003 'Artist as Engineer' symposium, introduction, co-chair (with Joasia Krysa and Armin Medosch) and co-organiser (with Joasia Krysa), as part of Interrupt: artists in socially-engaged practice, in partnership with Arts Council England, i-DAT, University of Plymouth (speakers: CUKT, etoy, Harwood, IAA, Natalie Jeremienko, Redundant Technology Initiative). 05/2003 'Anti-Globalica: artistic and conceptual tensions in the new world disorder' symposium, introduction, co-chair and co-organiser (with Joasia Krysa), as part of Globalica, WRO Biennale, Wroclaw, Poland (including catalogue and Polish Television) [Review 'Locality, Locality, Locality' by Esther Leslie in Radical Philosophy 121 Sept/Oct 2003] (speakers: Andreas Broeckmann, Adam Chmielewski, Esther Leslie, Monica Narula, Zoran Pantelic, James Stevens, CUKT). 09&11/2001 A Coffee-House Conversation on the International Art World & its Exclusions, co-organised international symposia (with Hatice Abdullah) Istanbul and London, Kahve-Society in collaboration with Autograph, London & Osmanli Bank Contemporary Art Centre, Istanbul. http://www.kahve-house.com/society/ (speakers: Meltem Ahiska, Hseyin Alptekin, Zeynep Celik, Markman Ellis, Ann Huber-Sigwart, Erden Kosova, Kevin Robins). 1994 In the Wake of Photography, organised seminar series on new media, at London Arts Board, for Camerawork, London E2 (speakers: David Bate, John Carson, Susan Collins, Andy Darley, Richard Layzell, Marysia Lewandowska, Simon Schofield, Valerie Walkerdine, Richard Wright). CONFERENCE & SEMINAR PRESENTATIONS: 05/2007 Introduction and moderator for WRO 07 12th international media art biennale symposium, Teatr Lalek, Wroclaw, Poland. 05/2007 Presentation as part of Tekne workshop 'Curating Digital Art' (with Inke Arns & Erkki Huhtamo), Aarhus Kunstbygning: Center for Contemporary Art, Denmark. 05/2007 'Means-End of Software' conference paper as part of The Aesthetic Interface, Digital Aesthetics Research Centre, Aarhus University, Denmark. 04/2007 'Means-End of Software Art' research seminar, Interdiscipinary Centre for Computer Music Research, University of Plymouth. 03/2007 'Social Hacking', as part of VAGA's Changing Cities seminar at Plymouth City Museum & Art Gallery. 03/2007 'Response to The Nature of the Beast', book launch (with Richard Hylton & Eddie Chambers), organised by ICIA, University of Bath, Conway Hall, London (http://www.bath.ac.uk/icia/doc/Nature-of-the-Beast.mp3). 10/2006 'Art on Autopilot' seminar moderator, Norwich Puppet Theatre, organised by Enter. 10/2006 'Social Hacking Plymouth' presentation for B+B's Art School, Plymouth Arts Centre. 08/2006 'Immaterial Research' series of 5 seminars for MFA New Media, Transart Institute, OK Centrum, Linz, Austria. 02/2006 'Urban Media' symposium panel moderator, transmediale, Berlin. 06/2005 'Curating, Immateriality, Systems' symposium and panel moderator, Tate Modern, London. 02/2005 'Re. Computing 101B' seminar in relation to JODI exhibition (with Christian Nold and Joasia Krysa), Spacex. 11/2004 'Generating Ordure: the value of software art', symposium paper at Curatorial Strategy as Critical Intervention, Kent Institute of Art & Design. 08/2004 'Coding Praxis: Reconsidering the Aesthetics of Generative Code' (with Alex McLean & Adrian Ward), Read_me: software art & cultures, festival and conference, University of Aarhus, Denmark. 03/2004 'Reconsidering the Aesthetics of Generative Code' (with Alex McLean) symposium, as part of Programmation Oriente Art, University of Paris, Sorbonne. 03/2004 'The Object of Corruption' conference paper linked to The Suicide of Objects exhibition organised by Catalyst Arts, Ulster Museum, Belfast. 02/2004 'From Software to Software Art' symposium panel moderator, transmediale, Berlin. 11/2003 'Notes Towards a Poetics of Code' symposium paper as part of On Performativity, Verbindingen/Junctions 7, Constant vzw, Brussels. 07/2003 'Why Look at Artificial Animals?' conference paper with Adrian Ward, Consciousness Reframed 03, University College Newport, Wales. 12/2002 'Generation and Corruption', conference paper as part of Mediaterra festival, Athens, Greece. 11/2002 'The Institution and the leading edge', chair of panel, Hospital Festival, organised by Lighthouse Media Centre, Brighton. 10/2002 'Generative Art and the Dialectics of Corruption', conference paper as part of Remaking Reality, pre-ISEA, IAMAS, Gifu, Japan. 10/2002 'Generator: the dialectics of orderly disorder', conference paper, Creativity & Cognition, Loughborough University. 10/2002 'The Dialectics of Generative Art', salon presentation, transmediale, Berlin. 04/2002 'Generating Orderly Disorder: or, suggested upgrade of the author as producer', conference paper, Marxism and the Visual Arts Now, University College London, (in association with Birkbeck College & Historical Materialism journal). 04/2002 'Generative Media' symposium, organiser and chair, part of iDATA, Institute of Digital Art & Technology, University of Plymouth. 06/2001 'From Hypothesis to Hyperthesis', with Mike Phillips & Chris Speed, as part of In Blue Skies: the experience of experiments, Arnolfini, Bristol. 06/2001 '(Un)learning & Utopia', presentation as part of Seven Days for New Thinking, Project (Arts Centre), Dublin, Eire. 05/2001 'Generative Digital Media' gallery talk, in association with Angus Fairhurst's exhibition This Does Not Last More Than One Second, Spacex Gallery, Exeter. 03/2001 'How I Wrote One of My Perl Scripts, or, The Poetics of Generative Code' conference paper, E-Naissance: New Configurations of Mind, Body, Space, Galleria Civica d'Arte Moderna e Contemporanea, Torino, Italy. 12/2000 'The Aesthetics of Generative Code', with Adrian Ward & Alex McLean, Generative Art 00, international conference, Politecnico di Milano, Italy. http://www.generative.net/ 10/2000 'Autoicon' presentation, with Mike Phillips, in, 'Random Selection 13: New Media projects', DNet event, Lux Centre, London. 10/2000 'Search for Terrestrial Intelligence' presentation with Mike Phillips, as part of Sci-Art, The Wellcome Trust, London. 09/2000 'The Impossibility of Art Education' joint paper with Howard Hollands & Victoria de Rijke, Making/Unmaking, Design History Society conference, University of Portsmouth. 08/2000 'Manifest: Reframing False Consciousness', conference paper with Tim Brennan, Consciousness Reframed, University College Newport, Wales (proceedings ISBN 1-899274-25-1, published by UWCN), & Phenomenology conference, University College, Cork, Eire. 03/2000 'Autoicon' presentation (MA Critical Fine Art Practice), with Mike Phillips, Central St. Martins College of Art. 12/1999 'How I Drew One of My Pictures, or the Authorship of Generative Art', joint paper with Adrian Ward/Signwave, Generative Art 99, international conference, Politecnico di Milano, Italy; Proceedings published by Editrice Librerie Dedalo, Roma. 10/1999 'Individual and/versus Social Creativity', panel member, as part of Creativity & Cognition, Loughborough University, ACM SIGHI international conference, ISBN 1-58113-078-3, p.37, http://portal.acm.org/citation.cfm?id=317570&coll=GUIDE&dl=GUIDE&CFID=69818884&CFTOKEN=98840885; plus review in Digital Creativity. 08/1999 'Agent Provocateur' joint paper with Chris Rodrigues, Invencao International conference, ISEA-Leonardo-ITAU, Sao Paulo, Brazil. 07/1999 'The Impossibility of Art Education', joint paper with Howard Hollands, Time for Change: new directions for art and design education conference, Homerton College and Kettles Yard Gallery, University of Cambridge & NSEAD. 06/1999 'Crowd Code: Collectivity and Connectivity', paper for Living in the Material World international conference, Coventry University - proceedings ISBN 0905949846, pp.89-99. 03/1999 'Autoicon: the Net Return of the Artist as Producer', paper for Creativity and Consumption, New Media Arts in Advanced Technology Culture international conference, University of Luton. 03/1998 'The Digital Crowd: some questions on globalisation & agency', paper for Vision Plus4: the Republic of Information, Carnegie Mellon University, USA - proceedings. 10/1998 Contribution to BBC2's The Learning Zone, 'Film Education' on photography and history. 07/1996 'Translating the Work of Art', joint paper with Ian Makgill, Futures: Visions & Revisions, Middlesex University. 05/1996 'The Work of Art', joint paper with Chris Rodrigues, Split Screen: The Role of the Artist in the Digital Age, Chichester College of Higher Education. EXHIBITIONS CURATED: 03/2007 Social Hacking, co-curated public art events in Plymouth, with Birgitte Aga, Anya Lewin and Joasia Krysa, at Drake Circus Shopping Centre, The Hub, Plymouth Arts Centre, Plymouth Guildhall, with support from the Arts Council of England (including: c6, IAA, Ludic Society, Mikro Orchestra Project). http://www.kurator.org/hack/ 04/2002-03/2003 Generator, co-curated touring exhibition with Tom Trevor, Spacex Gallery, touring to Liverpool Biennial 09/2002 and Firstsite, Colchester 02-04/2003, with support from the Arts Council of England (including: Stuart Brisley, Tim Head, Jeff Instone, Sol LeWitt, Alex McLean, Yoko Ono, Cornelia Sollfrank, Joanna Walsh, Adrian Ward). http://www.generative.net/generator 2001-03 Vivaria research/development stage, including website and commissions with STAR (with support from the New Media Fund of Arts Council of England). http://www.vivaria.net/ 1997 Gustav Metzger is My Dad, co-curated installation for Camerawork, on the occasion of losing its public funding, http://www.anti-thesis.net/projects/shredding/index.html 1997 Net.Art projects for Camerawork: Jeff Instone's 'Kiss the Bony Structure' [http://www.backspace.org/instone/] & Akke Wagenaar's 'REQUIEM for the Car' (with Channel/Artec). EXHIBITIONS: 08-10/2005 UK Museum of Ordure 'Audio Library' as part of low-fi commissions, at Stills Gallery, Edinburgh. 06-07/2004 'Berlin Wall Fragment' on loan from the Museum of Ordure, as part of Footnotes on Walls, 66 East: Centre for Urban Culture, Amsterdam. 04-07/2004 UK Museum of Ordure, exhibition of its collection, as part of Trackers, at PM Gallery & House, London. 03/2004-04/2004 UK Museum of Ordure, exhibition of its collection, as part of The Suicide of Objects, at Catalyst Arts, Belfast. 03/2004-04/2004 UK Museum of Ordure, exhibition of 'dust' as part of The Deceleration Project, organised by Escape Velocities, 27 Spital Street, London. 05-06/2002 'Artefact' (with Mike Phillips et al), as part of digital responses, MODEL (STAR/inIVA/Middlesex University), V&A Museum, London. 04/2002 Private Views, group show, London Print Studio; catalogue ISBN 1-898607-02-8, p.35. 11-3/2001-02 'This paper is intentionally blank' bookwork (with Sophie Weeks and Victoria de Rijke), in Nothing, Touring show (curated by Ele Carpenter & Graham Gussin), Rooseum, Malm Center for Contemporary Art, Sweden; Mead Gallery, Warwick Arts Centre. 07/2001 'Manifest', 46LiverpoolSt.org (with Tim Brennan & Adrian Ward), as part of A Timely Place, or, Getting Back to Somewhere, London Print Studio. http://www.46liverpoolst.org/ (reviewed by Stephen Bury, in Art Monthly no. 249, Sept 2001, pp.39-41). 07/2001 & 11/01 'Search for Terrestrial Intelligence', STI consortium, as part of Landscape Trauma, Autograph Touring Show, Caf Gallery, London & Leeds Metropolitan University Gallery. 02/2001 Chatroom_IRL installation & website/software release, with The Digital Crowd & VX-Labs, Shoreditch Gallery London. http://www.crowd-like.net/ 10/2000 'Progress', internet video work, VIII Festival Mundial Do Minutoe, Cotia, Brazil (with Mike Lawson-Smith, Chris Owens, Adrian Ward), Mencao Honrosa Categoria Internet (honorary mention). http://www.jetztzeit.net/ 06/2000 Autoicon, with inIVA (Institute of International Visual Arts) supported by the Arts Council of England (New Media fund), London, http://www.iniva.org/autoicon/ also shown as part of Race and Digital Space, Massachussetts Institute of Technology, USA (04/2001), Art In Motion II, Santa Monica Museum of Art, Santa Monica CA, USA (02/2001). http://www.iniva.org/autoicon/ 12/1999 Manifest: Library, public artwork, (with Tim Brennan & Adrian Ward), as part of HUB, Bishopsgate Goodsyard, Spitalfields, London E1, commissioned by Cityside & University of East London. Also 2000, shown as part of Intermedia, Triskel Arts Centre, Cork, Eire. http://46liverpoolst.org/manifest/ 06/1999 'With Wall' video loop, as part of Without Walls, Plymouth Arts Centre. 03/1999 Intermission, live video link between 2 cinema audiences, The Picture House, Exeter (with Mike Lawson-Smith). 03/1999 The Work of Art... CD-ROM (with Chris Rodrigues and Phaedra Stancer et al), Camerawork, exhibited as part of Contact Zones: the Art of CD-Rom in the section Ocular Work in the Digital Age, Cornell University, USA, 1999, on tour, including Hobart & William Colleges, New York, Centro de la Imagen, Mexico City & Virginia Film Festival; also, The Muse d'Art Contemporain de Montreal, http://contactzones.cit.cornell.edu/artists/cox.html 08/1998 'Star-System', auto-generative sound work (with Joe Nash), as part of Sound Factory, exhibition/workshop/audio CD, South London Gallery. 1996 Architectural Economy installation (with Alex de Rijke & Martin van der Linden), The Architecture Foundation, London. 1995 A-BAA (with Susan Derges, Chris Rodrigues, Robin Serjeant, Phaedra Stancer), live audio transmission over the internet between Devon farm and Camerawork gallery, with associated website. http://www.obsolete.com/baa/ 1994 Not For Sale: video notes on Shopping and Art, workshop & video installation, Oldham Art Gallery/Spindles Shopping Centre. 1993 IT (video work), One Minute World Festival, Sao Paulo, Brazil. 1993 They Are Not My Parents... (lightbox installation) project 10 00 22, Stockholm, Sweden. 1993 participation in FAT projects, Outpost & Adsite site specific works, Edinburgh & London. 1992 'Family as Factory' Whitechapel Open, Spitalfields Market/Gallery, Whitechapel Art Gallery. 1992 Changing Places, Ikon Gallery Touring Show, Birmingham and East Midlands. 1991 Affairs of the Heart (also residency, work/selection), Untitled Gallery, Sheffield. 1991 Millenium (open show), Untitled Gallery, Sheffield. 1990 Out of the Ordinary (lightbox installation), Metro Cinema, London. 1990 The South West Open, Plymouth Arts Centre/City Museum & Art Gallery. 1990 Split Difference (installation and city poster sites), 33 Arts Centre, Luton. 1988 The Self-Portrait Project (commissioned work), Plymouth Arts Centre. 1987 Toys - Are They Playing With You? (touring exhibition), Cockpit Gallery, London; winner of Fawcett Society Award. 1984 Artists and Projects (3 person show), Plymouth Arts Centre. PUBLIC COLLECTION: Bibliothque Nationale, Paris. OTHER--> 2004- Editorial board member of DATA browser series, Autonomedia, New York. 2003 jury member (with Casey Reas & Kate Rich), Software Art category, transmediale festival, Berlin. 2001 (and ongoing) establishment of Kahve-Society, registered charity (with Hatice Abdullah and Victoria de Rijke). 2001 (and ongoing) development of The Museum of Ordure (Stuart Brisley & Adrian Ward). http://www.ordure.org/ 2000-01 collaborative soundscape projects Soundings, including 'Sounding Dartmoor' (with R&D support from the Arts Council of England). http://www.sounding.org.uk/ 1998/99 The Digital Crowd (various outputs) with Chris Rodrigues and Phaedra Stancer et al, University of Plymouth, including the development of 'Agent-Ethnographer' software in collaboration with The Centre for Neural and Adaptive Systems, School of Computing & VX-Labs. http://www.crowd-like.net 1992-98 Art Education projects in collaboration with REALL (research in Education, Art, Language & Learning) Middlesex University: The Impossibility of Art Education (1998); Distance is the Opposite of Closeness, postcard set and website (1998): Recycling the National Curriculum (1996); This is Not the National Curriculum for Art, book and postcards (1994); Who tells you what to do?, poster set (1992). 1993-94 Artist's Residency at special secondary school, organised by Photofusion, London - see, David Nicholls, Pooling Ideas: on Art & Imaging, Trentham Books, 1997. 1991 Artist Residency at Untitled gallery (and local Health Authority) working with community groups in Sheffield. 1990-91 Access production projects using media technologies for disabled adults at Exeter Faculty of Arts & Design. 1990 Artist Residency to produce work for exhibition at Plymouth Arts Centre in conjunction with TSWA Four Cities project. 1989 Education workshop for The Globe exhibition at Plymouth Arts Centre. 1989 Men's group project leader at Cambridge Darkroom. 1989 Coordinated series of talks and events around the theme of Desire at PSW. 1987 Picture editing and design of touring exhibition 'Standing Strong' on racial harassment and housing in Docklands/Tower Hamlets. 1987 Freelance photographic work with Amnesty International. 1986/88/92 Education workshop leader for Lucas Samaras, Bernard Prinz & 'Exhibit A' exhibitions at Serpentine Gallery, London. 1984 Artist in Residence at Junior/Comprehensive school, Plymouth, organised by Plymouth Arts Centre. REFERENCES: Professor Roy Ascott Director Planetary Collegium Faculty of Technology University of Plymouth Drake Circus Plymouth PL4 8AA UK Tom Trevor Director Arnolfini 16 Narrow Quay Bristol BS1 4QA UK