EDUCATION-->
2006 - PhD Antithesis: The Dialectics of Software Art (supervisors Roy Ascott & Andreas Broeckmann), Faculty of Technology, University of Plymouth
1991-92 - Goldsmiths College (Sociology Dept), University of London
1984-86 - MA (RCA) Photography, Royal College of Art, London
1980-83 - BA Art & Design, Bradford & Ilkley Community College
1978-79 - Foundation Studies, Plymouth College of Art & Design

EMPLOYMENT-->
2006-> - guest member of research faculty, MFA new media, Transart Institute (Danube University Krems).
2002-> - programme manager MA|MSc|MRes Digital Art & Technology, University of Plymouth
1999-> - 0.75 Lecturer in Computing, Faculty of Technology, University of Plymouth
1992-01 - 0.5 Senior Lecturer in Media Arts, Faculty of Arts, University of Plymouth
1994-98 - Education programmer, Camerawork Gallery, London
1991-93 - Part-time Lecturer, School of Architecture, South Bank University, London
1988-91 - Associate Lecturer in Fine Art, Polytechnic South West, Faculty of Arts & Design
1987-88 - Fellowship in Arts Communication, Exeter College of Art & Design
1986-87 - Photo workshop coordinator, Montefiore Community Education Centre, E1
1986 - Photography Technician/Tutor, UCLA summer course, Royal College of Art
1987-> Visiting Lectures at: Dartington College of Arts (2004); University of East London (2000 & 2002); Central St. Martins (1999); Goldsmiths College (1998/99); John Moores University, Liverpool (1997); Staffordshire Polytechnic (1988-90); Harrow College of Higher Education (1987).

PAPERS & PRESENTATIONS -->
10/2006 - 'Art on Autopilot' seminar moderator, Norwich Puppet Theatre, organised by Enter for Norwich Animation Festival.
10/2006 - 'Social Hacking' presentation for B+B's Art School, Plymouth Arts Centre.
02/2006 - 'Urban Media' symposium panel moderator, transmediale, Berlin.
06/2005 - 'Curating, Immateriality, Systems' symposium and panel chair/moderator, Tate Modern.
02/2005 - 'Re.Computing 101B' seminar in relation to JODI exhibition (with Christian Nold and Joasia Krysa), Spacex Gallery.
11/2004 - 'Generating Ordure: the value of software art', symposium paper at Curatorial Strategy as Critical Intervention, Kent Institute of Art & Design.
08/2004 - 'Coding Praxis: Reconsidering the Aesthetics of Generative Code' (with Alex McLean & Adrian Ward), Read_me: software art and cultures, festival and conference, University of Aarhus, Denmark.
03/2004 - 'Reconsidering the Aesthetics of Generative Code' (with Alex McLean) symposium, as part of Programmation Orientee Art, University of Paris, Sorbonne.
02/2004 - 'From Software to Software Art' symposium panel, moderator, transmediale, Berlin.
11/2003 - 'Notes Towards a Poetics of Code' symposium paper as part of On Performativity, Verbindingen Junctions 7, Constant VZW, Brussels.
07/2003 - 'Why Look at Artificial Animals?' conference paper (with Adrian Ward), Consciousness Reframed 03, University College Newport, Wales.
06/2003 - 'Artist as Engineer' symposium, introduction, co-chair and co-organiser (with Joasia Krysa), as part of Interrupt: artists in socially-engaged practice, in partnership with Arts Council England, University of Plymouth.
05/2003 - 'Anti-Globalica: artistic and conceptual tensions in the new world disorder' symposium, introduction, co-chair and co-organiser (with Joasia Krysa), as part of Globalica, WRO Biennale, Wroclaw, Poland [Review 'Locality, Locality, Locality' by Esther Leslie in Radical Philosophy, 121, Sept/Oct 2003].
12/2002 - 'Generation and Corruption' conference paper as part of Mediaterra festival, Athens, Greece.
11/2002 - ‘The Institution and the leading edge’, chair of panel, Hospital Festival, organised by Lighthouse Media Centre, Brighton.
10/2002 - ‘Generation and Corruption’, conference paper as part of Remaking Reality, pre-ISEA, IAMAS, Gifu, Japan.
10/2002 - ‘Generator: the dialectics of orderly disorder’, conference paper, Creativity & Cognition, Loughborough University.
10/2002 - ‘The Dialectics of Generative Art’, salon presentation, Transmediale, Berlin.
04/2002 - ‘Generating Orderly Disorder: or, suggested upgrade of the author as producer’, conference paper, Marxism and the Visual Arts Now, University College London, (in association with Birkbeck College & Historical Materialism journal).
04/2002 - ‘Generative Media’ symposium, organiser and chair, part of iDATA, Institute of Digital Art & Technology, University of Plymouth.
09&11/2001 - co-organised (with Hatice Abdullah) A Coffee-House Conversation on the International Art World & its Exclusions, international conference, in Istanbul and London, Kahve-Society in collaboration with Autograph, London & Osmanli Bank Contemporary Art Centre, Istanbul. http://www.kahve-house.com/society
06/2001 - ‘From Hypothesis to Hyperthesis’, with Mike Phillips & Chris Speed, as part of In Blue Skies: the experience of experiments, Arnolfini, Bristol.
06/2001 - ‘(Un)learning & Utopia’, presentation as part of Seven Days for New Thinking, Project (Arts Centre), Dublin, Eire.
05/2001 - ‘Generative Digital Media’ gallery talk, in association with Angus Fairhurst’s exhibition This Does Not Last More Than One Second, Spacex Gallery, Exeter.
03/2001 - ‘How I Wrote One of My Perl Scripts, or, The Poetics of Generative Code’ conference paper, E-Naissance: New Configurations of Mind, Body, Space, Galleria Civica d’Arte Moderna e Contemporanea, Torino, Italy.
12/2000 - ‘The Aesthetics of Generative Code’, with Adrian Ward & Alex McLean, Generative Art 00, international conference, Politecnico di Milano, Italy. http://www.generative.net/
10/2000 - ‘Autoicon’ presentation, with Mike Phillips, in, ‘Random Selection 13: New Media projects’, DNet event, Lux Centre, London.
10/2000 - ‘Search for Terrestrial Intelligence’ presentation with Mike Phillips, as part of Sci-Art, The Wellcome Trust, London.
09/2000 - ‘The Impossibility of Art Education’ joint paper with Howard Hollands & Victoria de Rijke, Making/Unmaking, Design History Society conference, University of Portsmouth.
08/2000 - ‘Manifest: Reframing False Consciousness’, with Tim Brennan, Consciousness Reframed, University College Newport, Wales, & Phenomenology conference, University College, Cork, Eire.
03/2000 - ‘Autoicon’ presentation (MA Critical Fine Art Practice), with Mike Phillips, Central St. Martins College of Art.
12/1999 - ‘How I Drew One of My Pictures, or the Authorship of Generative Art’, joint paper with Adrian Ward/Signwave, Generative Art 99, international conference, Politecnico di Milano, Italy. http://www.generative.net/, Proceedings published by Editrice Librerie Dedalo, Roma.
10/1999 - ‘Individual and/versus Social Creativity’, panel member, as part of Creativity & Cognition, Loughborough University, ACM SIGHI international conference, ISBN 1-58113-078-3, p.37; plus review in Digital Creativity.
08/1999 - ‘Agent Provocateur’ joint paper with Chris Rodrigues, Invencao International conference, ISEA-Leonardo-ITAU, Sao Paulo, Brazil.
07/1999 - ‘The Impossibility of Art Education’, joint paper with Howard Hollands, Time for Change: new directions for art and design education conference, Homerton College and Kettles Yard Gallery, University of Cambridge & NSEAD.
06/1999 - ‘Crowd Code: Collectivity and Connectivity’, paper for Living in the Material World international conference, Coventry University - proceedings ISBN 0905949846, pp.89-99.
03/1999 - ‘Autoicon:the Net Return of the Artist as Producer’, paper for Creativity and Consumption, New Media Arts in Advanced Technology Culture international conference, University of Luton.
03/1998 - ‘The Digital Crowd: some questions on globalisation & agency’, paper for Vision Plus4: the Republic of Information, Carnegie Mellon University, USA - proceedings.
10/1998 - Contribution to BBC2’s The Learning Zone, ‘Film Education’ on photography and history.
07/1996 - ‘Translating the Work of Art’, joint paper with Ian Makgill, Futures: Visions & Revisions, Middlesex University.
05/1996 - ‘The Work of Art’, joint paper with Chris Rodrigues, Split Screen: The Role of the Artist in the Digital Age, Chichester College of Higher Education.
1994 - Organised seminar series on new media, In the Wake of Photography at London Arts Board as part of freelance work at Camerawork, London E2.

PUBLICATIONS-->
2006 - 'Software Actions', in Joasia Krysa, ed., Curating Immateriality, New York: Autonomedia, pp. 69-79.
2005 - 'Why Look at Artificial Animals?' (with Adrian Ward) in Roy Ascott, ed., Engineering Nature, Bristol: Intellect, ISBN 184150128X, pp. 115-119.
2005 - 'Revolutionary Fragments', co-editor of Magazyn Sztuki (with Joasia Krysa), no. 32-33, http://www.magazynsztuki.pl.
2005 - Engineering Culture: on The (Digital) Author as Producer edited book and introduction (with Joasia Krysa), New York: Autonomedia, ISBN 1-57027-170-4.
2005 - 'System Error: economies of cultural production in the network society' (with Joasia Krysa), in Malcolm Miles ed., New Practices/New Pedagogies, London: Routledge, ISBN 0415366186.
2004 - Economising Culture: on The (Digital) Culture Industry edited book and introduction (with Joasia Krysa and Anya Lewin), New York: Autonomedia, 256pp, ISBN 1-57027-168-2.
2004 - 'The Object of Corruption' in Julie Bacon, ed., The Suicide of Objects, Ulster: Catalyst Arts, pp. 18-20, ISBN 0-9549082-0-1
2004 - 'Notes Towards a Poetics of Code' in Verbindingen Junctions 7 catalogue, Brussels: Constant VZW, pp. 42-47.
2004 - 'Coding Praxis: Reconsidering the Aesthetics of Generative Code' (with Alex McLean & Adrian Ward), in Olga Goriunova & Alexei Shulgin, eds., Read_me: Software Art & Cultures, Aarhus: Digital Aesthetics Research Centre, pp.161-174, ISBN 87-9884440-4-0.
2004 - 'Cover Versions' (reprint), in What, How & For Whom: on the occasion of the 152nd anniversary of the Communist Manifesto, ed. Dejan Krsic, Zagreb: arkzin, pp.12-25, ISBN 953-6542-84-6.
2004 - 'Anagrams of Orderly Disorder (for the New World Order)' (with Joasia Krysa and Adrian Ward), Crisis Media: The Sarai Reader 4, New Delhi: Sarai/de Waag, pp. 415-420, ISBN 81-901429-4-1.
2004 - 'O zadaniach kuratorow wobec obiektow niematerialnych: generowanie I uszkadzanie obiektow cyfrowych' [Immaterial Curating: the generation and corruption of the digital object] (with Joasia Krysa), trans. Marta Walkowiak, Zeszyty Artystyczne, no. 11, University of Poznan, pp. 104-115 ISSN 1232-6682.
2003 - 'Art as Engineering: techno-art collectives and social change' (with Joasia Krysa), Ryszard W. Kluszczynski, ed., Art Inquiry, vol. V, 'Cyberarts / Cybercultures / Cybersocieties', Lodzkie Towazystwo Naukowe (Lodz Science Society), Poland, pp. 33-48, ISSN 0459-6854.
2002 - ‘Notes Towards the Complete Works of Shakespeare’ limited edition artists book & DVD, published by Kahve-Society & i-DAT, produced by Book Works, ISBN 0-9541181-2-X. [including extensive press coverage in national and international newspapers, broadcast media]
2002 - ‘Generator: the dialectics of orderly disorder’ conference paper, Creativity & Cognition Proceedings ISBN 1-58113-465-7, ACM Press, pp. 45-49.
2002 - ‘The International Art World and its Exclusions: a Coffee-House Conversation’ in, engage: Inclusion under Pressure, issue 11, ISSN 1365-9383, pp.22-27.
2002 - A Coffee-House Conversation on the International Art World & its Exclusions, co-edited e-book (with Hatice Abdullah), http://www.kahve-house.com/society/conversations/ edited & published by Kahve-Society, ISBN 0-95411-81-1-1, 90pp.
2001 - ‘Cover Versions’, image/text, in, Cabinet magazine, New York: Immaterial, Autumn issue, ISSN 1531-1430, pp.85-7.
2001 - ‘The Aesthetics of Generative Code’ (with Ade Ward & Alex McLean) in Eugene Thacker, ed., Hard_Code: narrating the network society, Alt-X Press, ISBN 1-931560-04-8, 24K, 22pp, http://www.altx.com/ebooks/download.cfm/hardcode.pdf
2001 - ‘The Authorship of Generative Art’ (with Adrian Ward) in Kestutis Andrasiunas, ed.,.agon [dotagon] online journal [from Media Centre in Lithuania], http://www.o-o.lt/agon/
2000 - Autoicon, CD-Rom (produced with Mike Phillips, software by Adrian Ward) published by inIVA & STAR, ISBN 189984631X
2000 - ‘The Violent Silence of The Nose’, chapter in Nose Book: representations of the nose in literature and the arts, edited by Victoria de Rijke, Lene Østermark-Johansen, Helen Thomas, Middlesex University Press, ISBN 1898253277, pp. 283-298.
2000 - ‘Erasing as Making’, (with Howard Hollands & Victoria de Rijke), in Putnam, Facey, Swales, eds., Making/Unmaking, Design History Society, pp.278-293, ISBN 1-86137-2272.
2000 - ‘Autoicon’ (with Mike Phillips) in ‘Futuros Emergentes: Arte Interactividad y Nuevos Medios’, eds Angela Molina & Kepa Landa, Published by Alfons el Magnanim (Diputación de Valencia), Bilingual (English - Spanish), ISBN 84-7822-326-6.
1999 - Manifest (with Tim Brennan) book published by Working Press, 48pp. ISBN 1-870736-48-6, http://www.46liverpoolst.org/manifest
1999 - ‘The Digital Crowd: some questions on globalisation & agency’, journal article in, Design Issues, volume 15, number 1, Spring, MIT Press, ISSN 0747-9360.
1999 - Guidebook: three manoeuvres by Tim Brennan in London E1/E2, co-edited book (with Tim Brennan) and introduction, published by Camerawork, 84pp. ISBN 1-871103-12-6; and associated video, ‘Dislocation’ (with Mike Lawson-Smith).
1999 - The Impossibility of Art Education co-edited book (with Howard Hollands & Victoria de Rijke) (in collaboration with Middlesex University’s REALL research group), published by Camerawork, 88pp. ISBN 1-871103-13-4.
1998 - ‘An Impossible Art Education Manifesto’, (with Howard Hollands & Victoria de Rijke), in ‘Manifesto or Policy (or Logo)’?, Engage Four, pp. 12-13, ISSN 1365-9383.
1998 - The Work of Art... CD-Rom and website, http://www.obsolete.com/artwork/ with Chris Rodrigues, Phaedra Stancer et al, published by Camerawork. See - Michael Rush, 'New Media in Late 20th-Century Art', Thames & Hudson 1999, p.196.
1998 - Digital Laboratory CD-Rom contribution of work in progress (from 1995), published by London Electronic Arts.
1997 - review of Networking: art by post and fax, for South West Arts.
1996 - This Paper is Intentionally Blank, co-authored limited edition book (with Victoria de Rijke and Sophie Weeks), published by Camerawork, ISBN 1-871-10307-3; associated article in New Times with Kevin Davey.
1995 - A-BAA, in ‘Mediaspace’ satellite broadcast & journal,Intelligent-Tutoring-Media, 3/4, 1996, Intellect ISSN 09579133.
1995 - Reviews for Creative Camera magazine: The Amazing Me & Simon Robertshaw’s The Nature of History.
1994 - ‘This is Not the National Curriculum for Art’, co-authored book and postcard set (with Victoria de Rijke), published by Middlesex University, ISBN 1-85924-033-X.
1994 - ‘This is Not an Essay’ in, Jane Grant, Memento Mori exhibition catalogue, Spacex Gallery/Royal Albert Memorial Museum, Exeter.
1992 - ‘Undoing Unity’ commissioned essay for Shifting Borders exhibition, Laing Art Gallery, Newcastle upon Tyne.
1991 - Catalogue essay on Richard Hylton, in FOUR x4 installations (curated by Eddie Chambers), Arnolfini.
1991 - ‘A Community Practice?‘ article for The Sheffield Media Show booklet.
1991 - In The Future... book compilation (with Jane Grant) of work by 40 disabled adults on ambitions and dreams.
1984 - ‘Self Portraits’ Article/photographs in Creative Camera, No234.
1982 - Self-Portraits book in collaboration with boys from McMillan Special School, Bradford.

EXHIBITIONS-->
08-10/2005 - UK Museum of Ordure 'Audio Library' as part of low-fi commissions, at Stills Gallery, Edinburgh.
06-07/2004 - 'Berlin Wall Fragment' on loan from the Museum of Ordure, as part of Footnotes on Walls, 66 East: Centre for Urban Culture, Amsterdam.
04-07/2004 - UK Museum of Ordure, exhibition of its collection, as part of Trackers, at PM Gallery & House, London.
03-04/2004 - UK Museum of Ordure, exhibition of its collection, as part of The Suicide of Objects, Catalyst Arts, Belfast.
03-04/2004 - UK Museum of Ordure, exhibition of 'dust' as part of The Deceleration Project, Escape Velocities, 27 Spital Street, London.
04/2002-03/2003 - co-curated touring exhibition Generator, (with Tom Trevor) Spacex Gallery/STAR, touring to Liverpool Biennial 09/2002 and Firstsite, Colchester 02-04/2003, with support from the Arts Council of England (including: Stuart Brisley, Tim Head, Jeff Instone, Sol LeWitt, Alex McLean, Yoko Ono, Cornelia Sollfrank, Joanna Walsh, Adrian Ward). http://www.generative.net/generator
05/2002 - ‘Artefact’, as part of MODEL, V&A Museum.
04/2002 - Private Views, group show, London Print Studio; catalogue ISBN 1-898607-02-8, p.35.
11-3/2001-02 - ‘This paper is intentionally blank’ bookwork (with Sophie Weeks & Victoria de Rijke), in Nothing, touring show (curated by Ele Carpenter & Graham Gussin), Rooseum, Malmš Center for Contemporary Art, Sweden; Mead Gallery, Warwick Arts Centre.
07/2001 - ‘Manifest’, 46LiverpoolSt.org (with Tim Brennan & Adrian Ward), as part of A Timely Place, or, Getting Back to Somewhere, London Print Studio, http://www.46liverpoolst.org/ (now offline).
07&11/2001 - contribution to ‘Search for Terrestrial Intelligence’, STI consortium, as part of Landscape Trauma, Autograph Touring Show, Café Gallery, London, & Leeds Metropolitan University Gallery.
04/2001 - ‘Autoicon’ CD-Rom & website (collective), exhibition to accompany conference, Race and Digital Space, Massachussetts Institute of Technology, USA.
02/2001 - Chatroom_IRL installation & website/software release, with The Digital Crowd & VX-Labs, Shoreditch Gallery London, http://www.crowd-like.net/ (now offline).
02/2001 - ‘Autoicon’ CD-Rom (collective), part of exhibition, Art In Motion II, Santa Monica Museum of Art, Santa Monica CA, USA.
06/2000 - Autoicon website launch, inIVA (Institute of International Visual Arts) supported by the Arts Council of England (New Media fund), London. http://www.iniva.org/autoicon/
10/2000 - ‘Progress’, internet video work, VIII Festival Mundial Do Minutoe, Cotia, Brazil (with Mike Lawson-Smith, Chris Owens, Adrian Ward), Mencao Honrosa Categoria Internet (honorary mention), http://www.jetztzeit.net/ (now offline).
12/1999 - Manifest: Library, public art work, (with Tim Brennan & Adrian Ward), as part of HUB, Bishopsgate Goodsyard, Spitalfields, London E1, commissioned by Cityside & University of East London. Also 2000, shown as part of Intermedia, Triskel Arts Centre, Cork, Eire. http://46liverpoolst.org/manifest/
06/1999 - ‘With Wall’ video loop, as part of Without Walls, Plymouth Arts Centre.
03/1999 - Intermission, live video link between 2 cinema audiences, The Picture House, Exeter (with Mike Lawson-Smith).
03/1999 - The Work of Art... CD-ROM (with Chris Rodrigues and Phaedra Stancer et al), Camerawork, exhibited as part of Contact Zones: the Art of CD-Rom in the section Ocular Work in the Digital Age, Cornell University, USA, 1999, on tour, including Hobart & William Colleges, New York, Centro de la Imagen, Mexico City & Virginia Film Festival; also, The Musée d'Art Contemporain de Montreal, http://contactzones.cit.cornell.edu/artists/cox.html.
08/1998 - ‘Star-System’, auto-generative sound work (with Joe Nash), as part of Sound Factory, exhibition/workshop/audio CD, South London Gallery.
1996 - Architectural Economy installation (with Alex de Rijke & Martin van der Linden), The Architecture Foundation, London.
1995 - A-BAA (with Susan Derges, Chris Rodrigues, Robin Serjeant, Phaedra Stancer), live audio transmission over the internet between Devon farm and Camerawork gallery, with associated website. http://www.obsolete.com/baa/
1994 - Not For Sale: video notes on Shopping and Art, workshop & video installation, Oldham Art Gallery/Spindles Shopping Centre.
1993 - IT (video work), One Minute World Festival, Sao Paulo, Brazil.
1993 - They Are Not My Parents... (lightbox installation) project 10 00 22, Stockholm, Sweden.
1993 - participation in FAT projects, Outpost & Adsite site specific works, Edinburgh & London.
1992 - ‘Family as Factory’ Whitechapel Open, Spitalfields Market/Gallery, Whitechapel Art Gallery.
1992 - Changing Places, Ikon Gallery Touring Show, Birmingham and East Midlands.
1991 - Affairs of the Heart (also residency work/selection), Untitled Gallery, Sheffield.
1991 - Millenium (open show), Untitled Gallery, Sheffield.
1990 - Out of the Ordinary (lightbox installation), Metro Cinema, London.
1990 - The South West Open, Plymouth Arts Centre/City Museum & Art Gallery.
1990 - Split Difference (installation and city poster sites), 33 Arts Centre, Luton.
1988 - The Self-Portrait Project (commissioned work), Plymouth Arts Centre.
1987 - Toys - Are They Playing With You? (touring exhibition), Cockpit Gallery, London; winner of Fawcett Society Award.
1984 - Artists and Projects (3 person show), Plymouth Arts Centre.

PUBLIC COLLECTION-->
Bibliothèque Nationale, Paris.

OTHER-->
2005 low-fi artist commission for UK Museum of Ordure 'Audio Library'.
2003 jury member (with Casey Reas & Kate Rich), Software Art category, transmediale festival, Berlin.
2001 (ongoing) - establishment of Kahve-Society, registered charity (with Hatice Abdullah and Victoria de Rijke). http://www.kahve-house.com/society/
2001 (ongoing) - Vivaria research/development stage, including website and commissions with STAR (with support from the New Media Fund of Arts Council of England). http://www.vivaria.net/
2001 (ongoing) - development of The UK Museum of Ordure (with Stuart Brisley & Adrian Ward). http://www.ordure.org/
2000/01 (current) - collaborative soundscape projects Soundings, including ‘Sounding Dartmoor’ (with R&D support from the Arts Council of England). http://www.sounding.org.uk/
1998/99 - The Digital Crowd (various outputs) with Chris Rodrigues and Phaedra Stancer et al, University of Plymouth, including the development of ‘Agent-Ethnographer’ software in collaboration with The Centre for Neural and Adaptive Systems, School of Computing & VX-Labs. http://www.crowd-like.net
1992-98 - Art Education projects in collaboration with REALL (research in Education, Art, Language & Learning) Middlesex University: The Impossibility of Art Education workshops and book (1998); Distance is the Opposite of Closeness, postcard set and website (1998): Recycling the National Curriculum social sculpture (1996); This is Not the National Curriculum for Art book and postcards (1994); Who tells you what to do? poster set (1992).
1997 - Curation of Camerawork website and Net artworks: Jeff Instone’s Kiss the Bony Structure http://www.backspace.org/instone/ & Akke Wagenaar’s REQUIEM for the Car (with Channel/Artec).
1993-94 - Artist’s Residency at special secondary school, organised by Photofusion, London - see, David Nicholls, Pooling Ideas: on Art & Imaging, Trentham Books, 1997.
1991 - Artist Residency at Untitled gallery (and local Health Authority) working with community groups in Sheffield.
1990-91 - Access production projects using media technologies for disabled adults at Exeter Faculty of Arts & Design.
1990 - Artist Residency to produce work for exhibition at Plymouth Arts Centre in conjunction with TSWA Four Cities project.
1989 - Education workshop for The Globe exhibition at Plymouth Arts Centre.
1989 - Men’s group project leader at Cambridge Darkroom.
1989 - Coordinated series of talks and events around the theme of Desire at PSW.
1987 - Picture editing and design of touring exhibition ‘Standing Strong’ on racial harassment and housing in Docklands/Tower Hamlets.
1986/88/92 - Education workshop leader for Lucas Samaras, Bernard Prinz & ‘Exhibit A’ exhibitions at Serpentine Gallery, London.
1984 - Artist in Residence at Junior/Comprehensive school, Plymouth, organised by Plymouth Arts Centre.