===============
7. *references*
===============

----------------
7.2 bibliography
----------------

0100101110101101.ORG (2001) 'Data-Nudism', an interview with Matthew Fuller about life_sharing, _Nettime_, April 14, http://www.nettime.org [first published by Gallery 9 / Walker Art Centre, http://www.walkerart.org/gallery9/lifesharing/] [last accessed 31 Dec 2005].

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Theodor Adorno & Max Horkheimer (1997 [1944]) _Dialectic of Enlightenment_, trans. John Cumming, London: Verso.

Theodor W. Adorno (2000 [1966]) _Negative Dialectics_, trans. E. B. Ashton, London: Routledge. 

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Hannah Arendt (1999) 'Introduction: Walter Benjamin: 1892-1940', in Walter Benjamin, _Illuminations_, London: Pimlico, pp. 7-55.

Hannah Arendt (2000) 'Labor, Work, Action' [from a Lecture 1964], in _The Portable Hannah Arendt_, New York: Penguin, pp. 167-181.

Aristotle (1982) _De Generatione et Corruptione_, trans. C.J.F. Williams, Oxford: Oxford University Press.

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Antonin Artaud (2001 [1964]) _The Theatre and its Double_, [first published as _Oeuvres Completes_] trans. Victor Corti, London: Calder.

Roy Ascott (2003) _Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness_, Berkeley: University of California Press.

Roy Ascott (2004) 'Orai, or How the Text Got Pleated: A Genealogy of La Plissure du Texte: A Planetary Fairytale,' in _Leonardo_, vol. 37, no. 3, pp. 195-200.

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Roland Barthes (1975 [1970]) _S/Z: An Essay_, trans. Richard Miller, London: Cape.

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Walter Benjamin (1992a [1931]) 'A Small History of Photography', in _One Way Street and Other Writings_, trans. Edmund Jephcott & Kingsley Shorter, London: Verso.

Walter Benjamin (1992b [1934 written]) 'The Author as Producer', in _Understanding Brecht_, trans. Anna Bostock, (first published as _Versuche über Brecht_) London: Verso.

Walter Benjamin (1996) _Selected Writings: Volume 1, 1913-1926_, Marcus Bullock and Michael W. Jennings, eds. Cambridge, Mass.: Belknap Press.

Walter Benjamin (1999a) _The Arcades Project_, trans. Howard Eiland & Kevin McLaughlin [first written as _Das Passegen-Werk_], Cambridge, Mass.: Belknap Press.

Walter Benjamin (1999b) Selected Writings: Volume 2, 1927-1934, trans. Rodney Livingstone et al, Michael W. Jennings, Howard Eiland & Gary Smith, eds. Cambridge, Mass.: Belknap Press. 

Walter Benjamin (1999c) 'Theses on the Philosophy of History' [written 1940, first published 1950], trans. Harry Zohn, in _Illuminations_, London: Pimlico, pp. 245-258. 

Walter Benjamin (1999d [1936 written]) 'The Work of Art in the Age of Mechanical Reproduction', trans. Harry Zohn, in _Illuminations_, London: Pimlico, pp. 211-244.

Max Bense (1971) 'The projects of generative aesthetics', in Jasia Reichardt, ed. _Cybernetics, Art and Ideas_, NY: Graphics Society Limited. 

Franco Beradi [Bifo] (2005) ' Info-Labour and Precarisation', trans. Erik Empson (http://www.generation-online.org/t/tinfolabour.htm), [first published in Italian, http://www.rekombinant.org/print.php?sid3D2578] [last accessed 31 Dec 2005].

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Josephine Berry Slater (2005 [2002]) 'Bare Code: Net Art and the Free Software Movement', in Geoff Cox & Joasia Krysa, eds. _Engineering Culture_, New York: Autonomedia, pp. 133-149.

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Florian Cramer (2002b), 'Discordia Concors: www.jodi.org', written for jodi exhibition catalogue _jodi_anti_net_art.tex_, _Eu-gene_ posting, Nov 4, http://www.generative.net/eu-gene/ [last accessed 31 Dec 2005].
  
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