[last updated 2003]
Theodor Adorno & Max Horkheimer (1997), Dialectic of Enlightenment (1944), trans. John Cumming, London: Verso.
Theodor W. Adorno (2000), Negative Dialectics (Negative Dialektik, 1966), trans. E.B. Ashton (1973), London: Routledge.
Theodor W. Adorno (1991), On the Fetish Character in Music and the Regression of Listening, in J.M. Bernstein, ed., The Culture Industry: Selected Essays on Mass Culture, London: Routledge, pp. 26-52.
Saul Albert (2002), Useless Utilities, in Signwave, Auto-Illustrator Users Guide, Plymouth: Liquid Press/Spacex, pp. 89-99.
Louis Althusser (1997), Ideology and Ideological State Apparatuses: Notes Toward an Investigation (1969) in Slavoj Zizek, ed., Mapping Ideology, London: Verso, pp. 100-151.
Hannah Arendt (1999), Introduction: Walter Benjamin: 1892-1940 in Walter Benjamin, Illuminations, London: Pimlico, pp. 7-55.
John Armitage (2002), Resisting the Neoliberal Discourse of Technology: The Politics of Cyberculture in the Age of the Virtual Class, <http://www.textz.com>
Richard Barbrook (1997), The Digital Artisans Manifesto, <http://www.hrc.wmin.ac.uk/hrc/theory/digitalArtisans/t.1.1>
Richard Barbrook (1999), The High-Tech Gift Economy, in Josephine Bosma, et al, eds., Readme! Filtered by Nettime. ASCII Culture and the Revenge of Knowledge. New York: Autonomedia.
John D. Barlow (2001), The Book of Nothing, London: Vintage.
Roland Barthes (1977), The Death of the Author in Image Music Text, trans. Stephen Heath, London: Fontana, pp. 142-148.
Jean Baudrillard (1989), The Mirror of Production (1973), trans. Mark Poster, in Mark Poster, ed., Jean Baudrillard: Selected Writings, Cambridge: Polity Press, pp. 98-118.
Catherine Belsey (1992), Towards a Productive Critical Practice, in Critical Practice, London: Routledge, pp. 125-146.
Walter Benjamin (1999), The Author as Producer (1934), Walter Benjamin: Selected Writings: Volume 2, 1927-1934, trans. Rodney Livingstone and others, Cambridge, Mass.: Belknap Press, pp. 768-782.
Walter Benjamin (1999), The Arcades Project, trans. Howard Eiland & Kevin McLaughlin, Cambridge, Mass.: Belknap Press.
Walter Benjamin (1996) Selected Writings: Volume 1, 1913-1926, eds. Marcus Bullock and Michael W. Jennings, Cambridge, Mass.: Belknap Press.
Walter Benjamin (1999), Selected Writings: Volume 2, 1927-1934, trans. Rodney Livingstone and others, eds. Michael W. Jennings, Howard Eiland and Gary Smith, Cambridge, Mass.: Belknap Press.
Walter Benjamin (1999), The Task of the Translator, trans. Harry Zohn, in Illuminations, London: Pimlico, pp. 70-82.
Walter Benjamin (1999), The Work of Art in the Age of Mechanical Reproduction, trans. Harry Zohn, in Illuminations, London: Pimlico, pp. 211-244.
Walter Benjamin (1999), Theses on the Philosophy of History, trans. Harry Zohn, in Illuminations, London: Pimlico, pp. 245-258.
Walter Benjamin (1992), Understanding Brecht, trans. Anna Bostock, (first published as Versuche über Brecht, 1966) London: Verso.
John Berger (1972), Ways of Seeing, London: Penguin/BBC.
John Berger (1980), 'Why Look at Animals?' in About Looking, London: Writers & Readers.
Marshall Berman (1999) All That Is Solid Melts Into Air: the Experience of Modernity (1982) London: Verso.
Josephine Berry (2002), Bare Code: Net Art and the Free Software Movement, <http://netartcommons.walkerart.org/article.pl?sid=02/05/08/0615215&mode=threAd>
Homi Bhabha (1994), The Commitment to Theory, in, The Location of Culture, London: Routledge.
Roy Bhasker (1986), Scientific Realism and Human Emancipation, London: Verso.
Roy Bhasker, et al (1998), Dialectic and Dialectical Critical Realism section, in Critical Realism: Essential Readings, London: Routledge, pp. 559-739.
Josephine Bosma, et al, eds., (1999), Readme! Filtered by Nettime. ASCII Culture and the Revenge of Knowledge. New York: Autonomedia.
Pierre Bourdieu (2001), Acts of Resistance: Against the New Myths of Our Time (1998), Cambridge: Polity Press.
Pierre Bourdieu (1993) The Field of Cultural Production, or: The Economic World Reversed in Randall Johnson, ed., The Field of Cultural Production: Essays on Art and Literature, London: Polity Press, pp. 29-73.
Andreas Broeckmann (2000), Sociable Machinists of Culture, <http://www.v2.nl/~andreas/texts/2000/networkers.html>
Andreas Broeckmann in conversation with Ken Wark (1997), Machine Aesthetics, <
James Brook & Iain Boal (1995), Resisting the Virtual Life, San Francisco: City Lights.
Susan Buck-Morss (1995), The Dialectics of Seeing: Walter Benjamin and The Arcades Project, Cambridge, Mass.: MIT Press.
Seán Burke (1992), The Death & Return of the Author: criticism and Subjectivity in Barthes, Foucault and Derrida, Edinburgh: Edinburgh University Press.
Alex Callinicos (2002), Toni Negri and Michael Hardts Empire
, Marxism 2002 Conference, July, London.
Italo Calvino (1995), How I Wrote One of My Books, trans. Iain White, in OuLiPo Laboratory, London: Atlas.
Elias Canetti (1992), Crowds and Power (1960), London: Penguin.
Manuel Castells, (1996), The Rise of the Network Society, (Volume 1 of The Information Age: Economy, Society and Culture), Oxford: Blackwell.
Michel de Certeau (1984), General Introduction, The Practice of Everyday Life, trans. Steven F. Rendail, Berkeley: University of California Press, pp. xi-xxiv.
Noam Chomsky (1972), Syntactic Structures (first published 1957), The Hague: Mouton; further reading on Chomsky's early work in generative processes,
<http://www.ifi.unizh.ch/groups/CL/volk/SyntaxVorl/Chomsky.html>
Paul Cilliers (1998), Complexity and Postmodernism, London: Routledge.
Florian Cramer (2002), Concepts, Notations, Software Art, in Signwave, Auto-Illustrator Users Guide, Plymouth: Liquid Press/Spacex, pp. 101-112.
Florian Cramer and Ulrike Gabriel (2001), (jury text for transmediale's award for artistic software), <http://userpage.fu-berlin.de/~cantsin/homepage/index.html#software_art_-_transmediale>
Douglas Crimp (1993), Appropriating Appropriation in On The Museums Ruins, Cambridge, Mass.: MIT Press, pp. 126-137.
Critical Art Ensemble (2002), Digital Resistance: Explorations in Tactical Media, New York: Autonomedia.
Sean Cubitt (1998), Digital Aesthetics, London: Sage.
Sean Cubitt (1999), Orbis Tertius, in Third Text, 47, Summer, London: Kala Press. pp. 3-10.
Manuel De Landa (1997), A Thousand Years of Nonlinear History, New York: Zone Books.
Guy Debord (1998), The Society of the Spectacle (1967), trans. Donald Nicholson-Smith, New York: Zone Books. Chapter, trans. Ken Knabb, <http://www.slip.net/~knabb/SI/debord/4.htm>
Gilles Deleuze and Félix Guattari (1984), The Desiring Machines in Anti-Oedipus: Capitalism and Schizophrenia, trans. Robert Hurley et al, London: Athlone, pp. 1-50.
Jacques Derrida (1994), Specters of Marx: The State of the Debt, the Work of Mourning, & the New International, trans. Peggy Kamuf, London: Routledge.
Phillip K. Dick (1993), Do Androids Dream of Electric Sheep? (1968), London: Harper Collins.
Denis Diderot (1993), This is Not a Story, trans. P.N. Furbank (1770-72), Oxford: Oxford University Press.
Nick Dyer-Witheford (1999), Cyber-Marx: Cycles and Circuits of Struggle in High-Technology Capitalism, Urbana & Chicago: University of Illinois Press.
Frances Dyson, (1992), The Ear That Would Hear Sounds in Themselves in Douglas Kahn and Gregory Whitehead, eds., Wireless Imagination: Sound, Radio and the Avant-Garde, Cambridge, Mass.: MIT Press.
Frederick Engels (1980), Introduction to Dialectics of Nature [first written in 1875-6] in Karl Marx and Frederick Engels: Selected Works in One Volume, London: Lawrence and Wishart (first published in 1968, Moscow: Progress Publishers).
Luciano Floridi (1999), Philosophy and Computing: an introduction, London: Routledge.
Hal Foster (1996), The Artist as Ethnographer, in The Return of the Real, Cambridge, Mass.: MIT Press, pp. 171-204.
Hal Foster, ed. (1991), Introduction, Postmodern Culture, (first published 1983 as The Anti-Aesthetic: Essays on Postmodern Culture), London: Pluto Press.
Hal Foster (1996), Whatever Happened to Postmodernism?, in The Return of the Real, Cambridge, Mass.: MIT Press, pp. 205-226.
Michel Foucault (1991), What is an Author?, in, Paul Rabinow, ed., The Foucault Reader: an Introduction to Foucaults Thought, trans. Josué V. Harari, London: Penguin.
Francis Fukuyama (1992), The End of History and the Last Man, New York: The Free Press.
Matthew Fuller (2000), It looks like you're writing a letter: microsoft word, <http://www.axia.demon.co.uk/wordtext.html>
Rainer Ganahl (1998-2001), Reading Karl Marx, London: Book Works.
Carol Gigliotti, (2000) The Ethical Life of the Digital Aesthetic, in Lunenfeld, ed., The Digital Dialectic: New Essays on New Media, Cambridge, Mass.: MIT Press.
James Gleick (1998), Chaos: The Amazing Science of the Unpredictable, London: Vintage.
Brian Goodwin (1997), Complexity, Creativity, and Society in Soundings: Media Worlds, Issue 5, Spring, pp. 111-122.
Antonio Gramsci (1988), A Gramsci Reader, ed. David Forgacs, London: Lawrence and Wishart.
Günter Grass (1997), From the Diary of a Snail, trans. Ralph Manheim, London: Minerva.
Felix Guattari (1995), Chaosmosis, trans. Paul bains & Julian Pefanis, Sydney: Power Publications.
Frank Guerrero (2002), Hybrid discourse: art for commerce/commerce for art lecture, University of Plymouth, March <http://www.i-dat.org/projects/hybrid/>
Jürgen Habermas (1989), The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society, trans. Thomas Burger, Cambridge: Polity.
Jürgen Habermas (1991), Modernity - An Incomplete Project in Hal Foster, ed., Postmodern Culture, London: Pluto Press.
Stuart Hall (1993), Encoding, decoding, in, Simon During, (ed.) The Cultural Studies Reader, London: Routledge.
Donna Haraway (1991), Simians, Cyborgs and Women: the reinvention of nature, London: Free Association.
Sandra Harding (1990), Feminism, Science and Anti-Enlightenment Critiques in Linda Nicholson, ed., Feminism-Postmodernism, London: Routledge, pp.83-106.
Michael Hardt & Antonio Negri (2000), Empire, Cambridge Mass.: Harvard University Press.
Terence Hawkes (1986), Structuralism and Semiotics (first 1977), London: Methuen.
N. Katherine Hayles (1989), Chaos as Orderly Disorder: Shifting Ground in Contemporary Literature and Science, New Literary History, 20, pp. 305-322.
N. Katherine Hayles (1991), Complex Dynamics in Literature and Science, in, ed., Chaos and Order, Chicago: University of Chicago Press.
N. Katherine Hayles (1992), The Materiality of Informatics, Configurations, 1992, 1.1:147-170, <http://muse.jhu.edu/demo/configurations/1.1hayles.html>
Georg W. F. Hegel (1993), Introductory Lectures on Aesthetics (1823) trans. B. Bosanquet, London: Penguin.
Georg W. F. Hegel (1953), Reason in History: A General Introduction to the Philosophy of History, trans. R.S. Hartman, New York: Library of Liberal Arts.
Georg W. F. Hegel (1967), The Phenomenology of Mind, trans. J.B. Baillie, New York: Harper & Row.
Georg W. F. Hegel (1969), Hegels Science of Logic, vol. 1, trans. A.V. Miller, London: Allen & Unwin.
Michael Heim (2000), The Cyberspace Dialectic, in, Lunenfeld, ed., The Digital Dialectic: New Essays on New Media, Cambridge, Mass.: MIT Press.
T. F. Hoad, ed. (1993), The Concise Oxford Dictionary of English Etymology, Oxford: Oxford University Press.
Eric Hobsbawm (1998), Behind The Times: The Decline and Fall of the Twentieth-Century Avant-Gardes, London: Thames and Hudson.
Douglas Hofstadter (1985), 'A Coffee House Conversation on the Turing Test', in Metamagical Themas: Questing for the Essence of Mind and Pattern, New York: Basic Books, pp. 492-525.
Douglas Hofstadter (2000), Gödel, Escher, Bach: an Eternal Golden Braid (first published 1979), London: Penguin.
Richard Huelsenbeck, ed. (1998), DADA Almanach (1920), trans. Malcolm Green et al, London: Atlas Press.
Linda Hutcheon (1991), The Politics of Postmodernism, London: Routledge.
Frederic Jameson (1991), The Cultural Logic of Late Capitalism in Postmodernism, or, The Cultural Logic of Late-Capitalism, (first published in New Left Review, no. 146, 1984, pp. 59-92), London: Verso, pp.1-54.
Fredric Jameson (1972), The Prison-House of Language: A Critical Account of Structuralism and Russian Formalism, London: Princeton University Press.
Fredric Jameson (1999), The Theoretical Hesitation: Benjamin's Sociological Predecessor (excerpt), Critical Inquiry, Vol. 25, No. 2, <http://www.uchicago.edu/research/jnl-crit-inq/v25/v25n2.jameson.html>
Martin Jay (1996), The Dialectical Imagination: A History of the Frankfurt School and the Institute of Social Research 1923-1950 (1973), London: University of California Press.
Chris Jenks (1993), Introduction: the Analytic Bases of Cultural Reproduction Theory and The Necessity of tradition: Sociology or the Postmodern, in Jenks, ed. Cultural Reproduction, London: Routledge, pp. 1-16 & pp. 120-134.
Wu Jie (1996), Systems Dialectics, Beijing: Foreign Languages Press.
Tim Jordan (1998), Cyberpower. London: Routledge.
Franz Kafka (1975), Metamorphosis, (Die Verwendlung, 1916), London: Penguin.
Kevin Kelly (1994), Out of Control: the new biology of machines, London: Fourth Estate.
Naomi Klein (2001), No Logo, London: Flamingo.
Eric Kluitenberg (2002), Transfiguration of the Avant-Garde/The Negative Dialectics of the Net, quoted in Duna Mavor, avant.garde tranfigured or dead?, nettime, March <http://www.nettime.org>
Donald Knuth (1997), The Art of Computer Programming: Volume 1, Fundamental Algorithms, Reading, Massachusetts: Addison-Wesley.
Dominique Laporte (2000), History of Shit, London: MIT Press.
Bruno Latour (1996), Aramis, or, The Love of Technology, trans. Catherine Porter, Cambridge MA: Harvard University Press.
Bruno Latour (1987), Science in Action: How to Follow Scientists and Engineers Through Society, Cambridge, Mass.: Harvard University Press.
Maurizio Lazzarato, General Intellect: Towards an Inquiry into Immaterial Labour, trans. in progress, Ed Emery, <http://www.emery.archive.mcmail.com/public_html/immaterial/lazzarat.html>
Fred Lerdahl & Ray Jackendoff (1983), A Generative Theory of Tonal Music, Cambridge, Mass.: MIT Press.
Esther Leslie (2000), The Work of Art in the Age of Unbearable Capitulation in, Walter Benjamin: Overpowering Conformism, London: Pluto Press, pp. 130-167
Esther Leslie (2000), Time for an Unnatural Death in, Walter Benjamin: Overpowering Conformism, London: Pluto Press, pp.168-207.
Esther Leslie (1997), 'Wallace and Gromit: an animating love', in Soundings, issue 5, Spring, pp. 149-156.
Lawrence Lessig (1999), Code and Other Laws of Cyberspace, New York: Basic Books.
Ruth Levitas (1989), The Future of Thinking about the Future, in Jon Bird, Barry Curtis, et al, eds. Mapping the Future: local cultures, global change, London: Routledge.
Lucy Lippard, ed. (1997), Six Years: the dematerialization of the art object from 1966 to 1972 [
], London: University of California Press.
Geert Lovink (1999), Radical Media Pragmatism, in Josephine Bosma, et al, eds., Readme! Filtered by Nettime. ASCII Culture and the Revenge of Knowledge. New York: Autonomedia.
Geert Lovink & Florian Schneider (2001), Rules for Actonomy, <http://www.nettime.org/nettime.w3archive/200106/msg00141.html>
Peter Lunenfeld, ed. (2000), The Digital Dialectic: New Essays on New Media, Cambridge, Mass.: MIT Press.
Peter Lunenfeld (2002), Snap to Grid, quoted in Rhizome Digest, May, <http://www.rhizome.org/>
Ernest Mandel (1990), Introduction (1976), to, Karl Marx, Capital: Volume 1, London: Penguin. pp. 11-86.
Carolyn Marvin (1988), When Old Technologies Were New: Thinking About Electronic Communication in the Late Nineteenth Century, New York: Oxford University Press.
Karl Marx (1990), Capital: Volume 1 (1867), trans. Ben Fowkes, London: Penguin.
Karl Marx & Frederick Engels (1985), The Communist Manifesto, London: Penguin.
Doreen Massey (1997), Problems with Globalisation, Soundings, issue 7, Autumn.
Harry Mathews and Alastair Brotchie (1998), eds., Oulipo Compendium, London: Atlas Press.
Duna Mavor (2002), avant.garde tranfigured or dead?, nettime, March <http://www.nettime.org>
Kevin Meltzer (2000), The Perl Poetry Contest, in The Perl Journal, Volume 4, Issue 4, <http://www.itknowledge.com/tpj/contest-poetry.html>
Mary Midgley (1979), Beast & Man, The Roots of Human Nature, London: Methuen.
Warren F. Motte (1986), ed. and trans., Oulipo: A Primer of Potential Literature, London: University of Nebraska Press.
Mark Napier (2000), interviewed by Andreas Broegger, The Aesthetics of Programming, in conjunction with exhibition on/off, Copenhagen, <http://www.afsnitp.dk/onoff/>
Bill Nichols (1988), 'The Work of Culture in the Age of Cybernetic Systems', in Screen vol.29, no.2 Winter, pp. 22-46.
Helga Nowotny, (1994) Time: The Modern and Postmodern Experience, Cambridge: Polity Press.
Sue Owens (1996), Chaos Theory, Marxism and Literary History in Jody Berland & Sarah Kember, eds., Technoscience, New Formations, Number 29, Summer, London: Lawrence & Wishart.
Craig Owens (1992), The Allegorical Impulse: Toward a Theory of Postmodernism (parts one and two) in Beyond Recognition: Representation, Power and Culture, Oxford: University of California Press, pp. 52-87.
Craig Owens (1992), From Work to Frame, or, Is There Life after "The Death of the Author"? in Beyond Recognition: Representation, Power and Culture, Oxford: University of California Press, pp. 122-139.
Craig Owens (1992), "The Indignity of Speaking for Others": An Imaginary Interview in Beyond Recognition: Representation, Power and Culture, Oxford: University of California Press, pp. 259-262.
Georges Perec (1995), A Void, trans. Gilbert Adair, (La Disparition, 1969), London: Harvill Press.
Georges Perec (1996), The Exeter text: Jewels, Secrets, Sex, in, Three, trans. Ian Monk, (Les Revenentes, 1972), London: Harvill Press.
Michael Phillipson (1993), Everyday Life, Technoscience and Cultural Analsis: A One-sided Conversation, in Chris Jenks, ed. Cultural Reproduction, London: Routledge, pp. 140-162.
Michael Phillipson (1989), In Modernitys Wake: the Ameurunculus Letters, London: Routledge.
Sadie Plant (1995), The Most Radical Gesture: The Situationist International in a Postmodern Age, London: Routledge.
Sadie Plant (1998), Zeros + Ones, London: Fourth Estate.
Mark Poster (1996), Lyotard and Computer Science: The Possibilities of Postmodern Politics in The Mode of Information: Poststructuralism and Social Context, Cambridge: Polity Press, pp. 129-154.
Mark Poster (1995), Part 1: Theoretical Reconsiderations in The Second Media Age, Cambridge: Polity Press, pp. 1-116.
Mark Poster (1997), Cyberdemocracy: Internet and the Public Sphere, in David Porter ed, Internet Culture, London: Routledge, pp.201-217.
Ilya Prigogine and Isabelle Stengers (1985), Order Out of Chaos: Mans New Dialogue With Nature, London: HarperCollins.
Jonathan Rée (1999), I See a Voice: a Philosophical History, London: Flamingo.
John Rees (1998), The Algebra of Revolution: The Dialectic and the Classical Marxist Tradition, London: Routledge.
Howard Rheingold (1994), The Virtual Community: Finding Connection in a Computerised World, Secker & Warburg.
John Roberts (2000), On Autonomy and the Avant-Garde, in Radical Philosophy, issue 103, Sept/Oct.
Kevin Robins (1997), The New Communications Geography and the Politics of Optimism in Soundings: Media Worlds, Issue 5, Spring, pp. 191-202.
Benedict Seymour (2001), Nationalise This: What Next for Anti-Globalisation Protests, in Two Views on Recent Anti-Capitalist Protests, Radical Philosophy, issue 107, May/June.
Peter Singer (1983), Hegel, Oxford: Oxford University Press.
Cornelia Sollfrank (2001) Hacking the Art Operating System, interviewed by Florian Cramer, Chaos Computer Club (German Hacker's Club) in Berlin, (published 2002-3), Manchester: Manchester University Press in association with Duncan of Jordanstone College of Art and Design.
Hans-Peter Schwarz (1997), Media-Art-History: Media Museum, ZKM: Center for Art and Media, Karlsruhe, Munich: Prestel.
Steve Talbott (1995), The Future Does Not Compute: Transcending the Machines in Our Midst, Sebastopol, CA: OReilly & Associates.
Tiziana Terranova (2000), Free labor: producing culture for the digital economy, Social Text, 63, Vol. 18, No. 2, pp. 33/57; <http://www.btinternet.com/~t.terranova/freelab.html>
Sherry Turkle (1997), Life on the Screen: Identity in the Age of the Internet, London: Phoenix.
Tristan Tzara (1998), Dada Manifesto (1918), in Charles Harrison & Paul Wood, Art in Theory: 1900-1990: an anthology of changing ideas, Oxford: Blackwell, pp. 249-253.
Gianni Vattimo (1992), The Transparent Society, trans. David Webb, Cambridge: Polity Press.
Roman Verostko (1988), Epigenetic Art: Software as Genotype, <http://www.invisum.com/epigenet.html>
Roman Verostko (1996), (Algorist Definitions), <http://www.verostko.com/algorithm.html>
McKenzie Wark (2001), Hacker Manifesto 2.0, <http://www.feelergauge.net/projects/hackermanifesto/version_2.0/>
Tomas P. Weissert (1991), Representation and Bifurcation: Borgess Garden of Chaos Dynamics in N. Katherine Hayles, ed., Chaos and Order, Chicago: University of Chicago Press, pp. 223-243.
Raymond Williams (1988), Keywords: A vocabulary of culture and society, London: Fontana.
Stephen Wilson (2002), Information Arts: Intersections of Art, Science and Technology, Cambridge, Mass.: MIT Press.
Richard Wright (1998), Montage - Transformation - Allegory: A Study of Digital Imaging in Dialectical Film Making, unpublished PhD thesis, London Guildhall University.
Slavoj Zizek, ed. (1997), Introduction in Mapping Ideology, London: Verso.
Slavoj Zizek (1999), 'Is It Possible to Traverse the Fantasy in Cyberspace?', in Elizabeth Wright & Edmond Wright, The Zizek Reader, Oxford: Blackwell, pp. 102-124.
Slavoj Zizek (1999), Introduction: A Spectre Is Haunting Western Academia
in The Ticklish Subject, London: Verso, pp. 1-5.
Slavoj Zizek (1999), The Hegelian Ticklish Subject in The Ticklish Subject: the absent centre of political ontology, London: Verso, pp. 70-123.
Slavoj Zizek (1998), The Spectre Is Still Roaming Around!, [an introduction to the 150th Anniversary Edition of The Communist Manifesto], Zagreb: Bastard Books.