bibliography

[last updated 2003]

Theodor Adorno & Max Horkheimer (1997), Dialectic of Enlightenment (1944), trans. John Cumming, London: Verso.

Theodor W. Adorno (2000), Negative Dialectics (Negative Dialektik, 1966), trans. E.B. Ashton (1973), London: Routledge.

Theodor W. Adorno (1991), ‘On the Fetish Character in Music and the Regression of Listening’, in J.M. Bernstein, ed., The Culture Industry: Selected Essays on Mass Culture, London: Routledge, pp. 26-52.

Saul Albert (2002), ‘Useless Utilities’, in Signwave, Auto-Illustrator Users Guide, Plymouth: Liquid Press/Spacex, pp. 89-99.

Louis Althusser (1997), ‘Ideology and Ideological State Apparatuses: Notes Toward an Investigation’ (1969) in Slavoj Zizek, ed., Mapping Ideology, London: Verso, pp. 100-151.

Hannah Arendt (1999), ‘Introduction: Walter Benjamin: 1892-1940’ in Walter Benjamin, Illuminations, London: Pimlico, pp. 7-55.

John Armitage (2002), ‘Resisting the Neoliberal Discourse of Technology: The Politics of Cyberculture in the Age of the Virtual Class’, <http://www.textz.com>

Richard Barbrook (1997), ‘The Digital Artisans Manifesto’, <http://www.hrc.wmin.ac.uk/hrc/theory/digitalArtisans/t.1.1>

Richard Barbrook (1999), ‘The High-Tech Gift Economy’, in Josephine Bosma, et al, eds., Readme! Filtered by Nettime. ASCII Culture and the Revenge of Knowledge. New York: Autonomedia.

John D. Barlow (2001), The Book of Nothing, London: Vintage.

Roland Barthes (1977), ‘The Death of the Author’ in Image Music Text, trans. Stephen Heath, London: Fontana, pp. 142-148.

Jean Baudrillard (1989), ‘The Mirror of Production’ (1973), trans. Mark Poster, in Mark Poster, ed., Jean Baudrillard: Selected Writings, Cambridge: Polity Press, pp. 98-118.

Catherine Belsey (1992), ‘Towards a Productive Critical Practice’, in Critical Practice, London: Routledge, pp. 125-146.

Walter Benjamin (1999), ‘The Author as Producer’ (1934), Walter Benjamin: Selected Writings: Volume 2, 1927-1934, trans. Rodney Livingstone and others, Cambridge, Mass.: Belknap Press, pp. 768-782.

Walter Benjamin (1999), The Arcades Project, trans. Howard Eiland & Kevin McLaughlin, Cambridge, Mass.: Belknap Press.

Walter Benjamin (1996) Selected Writings: Volume 1, 1913-1926, eds. Marcus Bullock and Michael W. Jennings, Cambridge, Mass.: Belknap Press.

Walter Benjamin (1999), Selected Writings: Volume 2, 1927-1934, trans. Rodney Livingstone and others, eds. Michael W. Jennings, Howard Eiland and Gary Smith, Cambridge, Mass.: Belknap Press.

Walter Benjamin (1999), ‘The Task of the Translator’, trans. Harry Zohn, in Illuminations, London: Pimlico, pp. 70-82.

Walter Benjamin (1999), ‘The Work of Art in the Age of Mechanical Reproduction’, trans. Harry Zohn, in Illuminations, London: Pimlico, pp. 211-244.

Walter Benjamin (1999), ‘Theses on the Philosophy of History’, trans. Harry Zohn, in Illuminations, London: Pimlico, pp. 245-258.

Walter Benjamin (1992), Understanding Brecht, trans. Anna Bostock, (first published as Versuche über Brecht, 1966) London: Verso.

John Berger (1972), Ways of Seeing, London: Penguin/BBC.

John Berger (1980), 'Why Look at Animals?' in About Looking, London: Writers & Readers.

Marshall Berman (1999) All That Is Solid Melts Into Air: the Experience of Modernity (1982) London: Verso.

Josephine Berry (2002), ‘Bare Code: Net Art and the Free Software Movement’, <http://netartcommons.walkerart.org/article.pl?sid=02/05/08/0615215&mode=threAd>

Homi Bhabha (1994), ‘The Commitment to Theory’, in, The Location of Culture, London: Routledge.

Roy Bhasker (1986), Scientific Realism and Human Emancipation, London: Verso.

Roy Bhasker, et al (1998), ‘Dialectic and Dialectical Critical Realism’ section, in Critical Realism: Essential Readings, London: Routledge, pp. 559-739.

Josephine Bosma, et al, eds., (1999), Readme! Filtered by Nettime. ASCII Culture and the Revenge of Knowledge. New York: Autonomedia.

Pierre Bourdieu (2001), Acts of Resistance: Against the New Myths of Our Time (1998), Cambridge: Polity Press.

Pierre Bourdieu (1993) ‘The Field of Cultural Production, or: The Economic World Reversed’ in Randall Johnson, ed., The Field of Cultural Production: Essays on Art and Literature, London: Polity Press, pp. 29-73.

Andreas Broeckmann (2000), ‘Sociable Machinists of Culture’, <http://www.v2.nl/~andreas/texts/2000/networkers.html>

Andreas Broeckmann in conversation with Ken Wark (1997), ‘Machine Aesthetics’, <

James Brook & Iain Boal (1995), Resisting the Virtual Life, San Francisco: City Lights.

Susan Buck-Morss (1995), The Dialectics of Seeing: Walter Benjamin and The Arcades Project, Cambridge, Mass.: MIT Press.

Seán Burke (1992), The Death & Return of the Author: criticism and Subjectivity in Barthes, Foucault and Derrida, Edinburgh: Edinburgh University Press.

Alex Callinicos (2002), ‘Toni Negri and Michael Hardt’s Empire, Marxism 2002 Conference, July, London.

Italo Calvino (1995), ‘How I Wrote One of My Books’, trans. Iain White, in OuLiPo Laboratory, London: Atlas.

Elias Canetti (1992), Crowds and Power (1960), London: Penguin.

Manuel Castells, (1996), The Rise of the Network Society, (Volume 1 of The Information Age: Economy, Society and Culture), Oxford: Blackwell.

Michel de Certeau (1984), ‘General Introduction’, The Practice of Everyday Life, trans. Steven F. Rendail, Berkeley: University of California Press, pp. xi-xxiv.

Noam Chomsky (1972), Syntactic Structures (first published 1957), The Hague: Mouton; further reading on Chomsky's early work in generative processes,

<http://www.ifi.unizh.ch/groups/CL/volk/SyntaxVorl/Chomsky.html>

Paul Cilliers (1998), Complexity and Postmodernism, London: Routledge.

Florian Cramer (2002), ‘Concepts, Notations, Software Art’, in Signwave, Auto-Illustrator Users Guide, Plymouth: Liquid Press/Spacex, pp. 101-112.

Florian Cramer and Ulrike Gabriel (2001), (jury text for transmediale's award for artistic software), <http://userpage.fu-berlin.de/~cantsin/homepage/index.html#software_art_-_transmediale>

Douglas Crimp (1993), ‘Appropriating Appropriation’ in On The Museum’s Ruins, Cambridge, Mass.: MIT Press, pp. 126-137.

Critical Art Ensemble (2002), Digital Resistance: Explorations in Tactical Media, New York: Autonomedia.

Sean Cubitt (1998), Digital Aesthetics, London: Sage.

Sean Cubitt (1999), ‘Orbis Tertius’, in Third Text, 47, Summer, London: Kala Press. pp. 3-10.

Manuel De Landa (1997), A Thousand Years of Nonlinear History, New York: Zone Books.

Guy Debord (1998), The Society of the Spectacle (1967), trans. Donald Nicholson-Smith, New York: Zone Books. Chapter, trans. Ken Knabb, <http://www.slip.net/~knabb/SI/debord/4.htm>

Gilles Deleuze and Félix Guattari (1984), ‘The Desiring Machines’ in Anti-Oedipus: Capitalism and Schizophrenia, trans. Robert Hurley et al, London: Athlone, pp. 1-50.

Jacques Derrida (1994), Specters of Marx: The State of the Debt, the Work of Mourning, & the New International, trans. Peggy Kamuf, London: Routledge.

Phillip K. Dick (1993), Do Androids Dream of Electric Sheep? (1968), London: Harper Collins.

Denis Diderot (1993), This is Not a Story, trans. P.N. Furbank (1770-72), Oxford: Oxford University Press.

Nick Dyer-Witheford (1999), Cyber-Marx: Cycles and Circuits of Struggle in High-Technology Capitalism, Urbana & Chicago: University of Illinois Press.

Frances Dyson, (1992), ‘The Ear That Would Hear Sounds in Themselves’ in Douglas Kahn and Gregory Whitehead, eds., Wireless Imagination: Sound, Radio and the Avant-Garde, Cambridge, Mass.: MIT Press.

Frederick Engels (1980), ‘Introduction to Dialectics of Nature’ [first written in 1875-6] in Karl Marx and Frederick Engels: Selected Works in One Volume, London: Lawrence and Wishart (first published in 1968, Moscow: Progress Publishers).

Luciano Floridi (1999), Philosophy and Computing: an introduction, London: Routledge.

Hal Foster (1996), ‘The Artist as Ethnographer’, in The Return of the Real, Cambridge, Mass.: MIT Press, pp. 171-204.

Hal Foster, ed. (1991), ‘Introduction’, Postmodern Culture, (first published 1983 as The Anti-Aesthetic: Essays on Postmodern Culture), London: Pluto Press.

Hal Foster (1996), ‘Whatever Happened to Postmodernism?’, in The Return of the Real, Cambridge, Mass.: MIT Press, pp. 205-226.

Michel Foucault (1991), ‘What is an Author?’, in, Paul Rabinow, ed., The Foucault Reader: an Introduction to Foucault’s Thought, trans. Josué V. Harari, London: Penguin.

Francis Fukuyama (1992), The End of History and the Last Man, New York: The Free Press.

Matthew Fuller (2000), ‘It looks like you're writing a letter: microsoft word’, <http://www.axia.demon.co.uk/wordtext.html>

Rainer Ganahl (1998-2001), Reading Karl Marx, London: Book Works.

Carol Gigliotti, (2000) ‘The Ethical Life of the Digital Aesthetic’, in Lunenfeld, ed., The Digital Dialectic: New Essays on New Media, Cambridge, Mass.: MIT Press.

James Gleick (1998), Chaos: The Amazing Science of the Unpredictable, London: Vintage.

Brian Goodwin (1997), ‘Complexity, Creativity, and Society’ in Soundings: Media Worlds, Issue 5, Spring, pp. 111-122.

Antonio Gramsci (1988), A Gramsci Reader, ed. David Forgacs, London: Lawrence and Wishart.

Günter Grass (1997), From the Diary of a Snail, trans. Ralph Manheim, London: Minerva.

Felix Guattari (1995), Chaosmosis, trans. Paul bains & Julian Pefanis, Sydney: Power Publications.

Frank Guerrero (2002), Hybrid discourse: art for commerce/commerce for art lecture, University of Plymouth, March <http://www.i-dat.org/projects/hybrid/>

Jürgen Habermas (1989), The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society, trans. Thomas Burger, Cambridge: Polity.

Jürgen Habermas (1991), ‘Modernity - An Incomplete Project’ in Hal Foster, ed., Postmodern Culture, London: Pluto Press.

Stuart Hall (1993), ‘Encoding, decoding’, in, Simon During, (ed.) The Cultural Studies Reader, London: Routledge.

Donna Haraway (1991), Simians, Cyborgs and Women: the reinvention of nature, London: Free Association.

Sandra Harding (1990), ‘Feminism, Science and Anti-Enlightenment Critiques’ in Linda Nicholson, ed., Feminism-Postmodernism, London: Routledge, pp.83-106.

Michael Hardt & Antonio Negri (2000), Empire, Cambridge Mass.: Harvard University Press.

Terence Hawkes (1986), Structuralism and Semiotics (first 1977), London: Methuen.

N. Katherine Hayles (1989), ‘Chaos as Orderly Disorder: Shifting Ground in Contemporary Literature and Science’, New Literary History, 20, pp. 305-322.

N. Katherine Hayles (1991), ‘Complex Dynamics in Literature and Science’, in, ed., Chaos and Order, Chicago: University of Chicago Press.

N. Katherine Hayles (1992), ‘The Materiality of Informatics’, Configurations, 1992, 1.1:147-170, <http://muse.jhu.edu/demo/configurations/1.1hayles.html>

Georg W. F. Hegel (1993), Introductory Lectures on Aesthetics (1823) trans. B. Bosanquet, London: Penguin.

Georg W. F. Hegel (1953), Reason in History: A General Introduction to the Philosophy of History, trans. R.S. Hartman, New York: Library of Liberal Arts.

Georg W. F. Hegel (1967), The Phenomenology of Mind, trans. J.B. Baillie, New York: Harper & Row.

Georg W. F. Hegel (1969), Hegel’s Science of Logic, vol. 1, trans. A.V. Miller, London: Allen & Unwin.

Michael Heim (2000), ‘The Cyberspace Dialectic’, in, Lunenfeld, ed., The Digital Dialectic: New Essays on New Media, Cambridge, Mass.: MIT Press.

T. F. Hoad, ed. (1993), The Concise Oxford Dictionary of English Etymology, Oxford: Oxford University Press.

Eric Hobsbawm (1998), Behind The Times: The Decline and Fall of the Twentieth-Century Avant-Gardes, London: Thames and Hudson.

Douglas Hofstadter (1985), 'A Coffee House Conversation on the Turing Test', in Metamagical Themas: Questing for the Essence of Mind and Pattern, New York: Basic Books, pp. 492-525.

Douglas Hofstadter (2000), Gödel, Escher, Bach: an Eternal Golden Braid (first published 1979), London: Penguin.

Richard Huelsenbeck, ed. (1998), DADA Almanach (1920), trans. Malcolm Green et al, London: Atlas Press.

Linda Hutcheon (1991), The Politics of Postmodernism, London: Routledge.

Frederic Jameson (1991), ‘The Cultural Logic of Late Capitalism’ in Postmodernism, or, The Cultural Logic of Late-Capitalism, (first published in New Left Review, no. 146, 1984, pp. 59-92), London: Verso, pp.1-54.

Fredric Jameson (1972), The Prison-House of Language: A Critical Account of Structuralism and Russian Formalism, London: Princeton University Press.

Fredric Jameson (1999), ‘The Theoretical Hesitation: Benjamin's Sociological Predecessor’ (excerpt), Critical Inquiry, Vol. 25, No. 2, <http://www.uchicago.edu/research/jnl-crit-inq/v25/v25n2.jameson.html>

Martin Jay (1996), The Dialectical Imagination: A History of the Frankfurt School and the Institute of Social Research 1923-1950 (1973), London: University of California Press.

Chris Jenks (1993), ‘Introduction: the Analytic Bases of Cultural Reproduction Theory’ and ‘The Necessity of tradition: Sociology or the Postmodern’, in Jenks, ed. Cultural Reproduction, London: Routledge, pp. 1-16 & pp. 120-134.

Wu Jie (1996), Systems Dialectics, Beijing: Foreign Languages Press.

Tim Jordan (1998), Cyberpower. London: Routledge.

Franz Kafka (1975), Metamorphosis, (Die Verwendlung, 1916), London: Penguin.

Kevin Kelly (1994), Out of Control: the new biology of machines, London: Fourth Estate.

Naomi Klein (2001), No Logo, London: Flamingo.

Eric Kluitenberg (2002), ‘Transfiguration of the Avant-Garde/The Negative Dialectics of the Net’, quoted in Duna Mavor, ‘avant.garde — tranfigured or dead?’, nettime, March <http://www.nettime.org>

Donald Knuth (1997), The Art of Computer Programming: Volume 1, Fundamental Algorithms, Reading, Massachusetts: Addison-Wesley.

Dominique Laporte (2000), History of Shit, London: MIT Press.

Bruno Latour (1996), Aramis, or, The Love of Technology, trans. Catherine Porter, Cambridge MA: Harvard University Press.

Bruno Latour (1987), Science in Action: How to Follow Scientists and Engineers Through Society, Cambridge, Mass.: Harvard University Press.

Maurizio Lazzarato, ‘General Intellect: Towards an Inquiry into Immaterial Labour’, trans. in progress, Ed Emery, <http://www.emery.archive.mcmail.com/public_html/immaterial/lazzarat.html>

Fred Lerdahl & Ray Jackendoff (1983), A Generative Theory of Tonal Music, Cambridge, Mass.: MIT Press.

Esther Leslie (2000), ‘The Work of Art in the Age of Unbearable Capitulation’ in, Walter Benjamin: Overpowering Conformism, London: Pluto Press, pp. 130-167

Esther Leslie (2000), ‘Time for an Unnatural Death’ in, Walter Benjamin: Overpowering Conformism, London: Pluto Press, pp.168-207.

Esther Leslie (1997), 'Wallace and Gromit: an animating love', in Soundings, issue 5, Spring, pp. 149-156.

Lawrence Lessig (1999), Code and Other Laws of Cyberspace, New York: Basic Books.

Ruth Levitas (1989), ‘The Future of Thinking about the Future’, in Jon Bird, Barry Curtis, et al, eds. Mapping the Future: local cultures, global change, London: Routledge.

Lucy Lippard, ed. (1997), Six Years: the dematerialization of the art object from 1966 to 1972 […], London: University of California Press.

Geert Lovink (1999), ‘Radical Media Pragmatism’, in Josephine Bosma, et al, eds., Readme! Filtered by Nettime. ASCII Culture and the Revenge of Knowledge. New York: Autonomedia.

Geert Lovink & Florian Schneider (2001), ‘Rules for Actonomy’, <http://www.nettime.org/nettime.w3archive/200106/msg00141.html>

Peter Lunenfeld, ed. (2000), The Digital Dialectic: New Essays on New Media, Cambridge, Mass.: MIT Press.

Peter Lunenfeld (2002), Snap to Grid, quoted in Rhizome Digest, May, <http://www.rhizome.org/>

Ernest Mandel (1990), ‘Introduction’ (1976), to, Karl Marx, Capital: Volume 1, London: Penguin. pp. 11-86.

Carolyn Marvin (1988), When Old Technologies Were New: Thinking About Electronic Communication in the Late Nineteenth Century, New York: Oxford University Press.

Karl Marx (1990), Capital: Volume 1 (1867), trans. Ben Fowkes, London: Penguin.

Karl Marx & Frederick Engels (1985), The Communist Manifesto, London: Penguin.

Doreen Massey (1997), ‘Problems with Globalisation’, Soundings, issue 7, Autumn.

Harry Mathews and Alastair Brotchie (1998), eds., Oulipo Compendium, London: Atlas Press.

Duna Mavor (2002), ‘avant.garde — tranfigured or dead?’, nettime, March <http://www.nettime.org>

Kevin Meltzer (2000), ‘The Perl Poetry Contest’, in The Perl Journal, Volume 4, Issue 4, <http://www.itknowledge.com/tpj/contest-poetry.html>

Mary Midgley (1979), Beast & Man, The Roots of Human Nature, London: Methuen.

Warren F. Motte (1986), ed. and trans., Oulipo: A Primer of Potential Literature, London: University of Nebraska Press.

Mark Napier (2000), interviewed by Andreas Broegger, ‘The Aesthetics of Programming’, in conjunction with exhibition on/off, Copenhagen, <http://www.afsnitp.dk/onoff/>

Bill Nichols (1988), 'The Work of Culture in the Age of Cybernetic Systems', in Screen vol.29, no.2 Winter, pp. 22-46.

Helga Nowotny, (1994) Time: The Modern and Postmodern Experience, Cambridge: Polity Press.

Sue Owens (1996), ‘Chaos Theory, Marxism and Literary History’ in Jody Berland & Sarah Kember, eds., Technoscience, New Formations, Number 29, Summer, London: Lawrence & Wishart.

Craig Owens (1992), ‘The Allegorical Impulse: Toward a Theory of Postmodernism (parts one and two)’ in Beyond Recognition: Representation, Power and Culture, Oxford: University of California Press, pp. 52-87.

Craig Owens (1992), ‘From Work to Frame, or, Is There Life after "The Death of the Author"?’ in Beyond Recognition: Representation, Power and Culture, Oxford: University of California Press, pp. 122-139.

Craig Owens (1992), ‘"The Indignity of Speaking for Others": An Imaginary Interview’ in Beyond Recognition: Representation, Power and Culture, Oxford: University of California Press, pp. 259-262.

Georges Perec (1995), A Void, trans. Gilbert Adair, (La Disparition, 1969), London: Harvill Press.

Georges Perec (1996), ‘The Exeter text: Jewels, Secrets, Sex’, in, Three, trans. Ian Monk, (Les Revenentes, 1972), London: Harvill Press.

Michael Phillipson (1993), ‘Everyday Life, Technoscience and Cultural Analsis: A One-sided Conversation’, in Chris Jenks, ed. Cultural Reproduction, London: Routledge, pp. 140-162.

Michael Phillipson (1989), In Modernity’s Wake: the Ameurunculus Letters, London: Routledge.

Sadie Plant (1995), The Most Radical Gesture: The Situationist International in a Postmodern Age, London: Routledge.

Sadie Plant (1998), Zeros + Ones, London: Fourth Estate.

Mark Poster (1996), ‘Lyotard and Computer Science: The Possibilities of Postmodern Politics’ in The Mode of Information: Poststructuralism and Social Context, Cambridge: Polity Press, pp. 129-154.

Mark Poster (1995), ‘Part 1: Theoretical Reconsiderations’ in The Second Media Age, Cambridge: Polity Press, pp. 1-116.

Mark Poster (1997), ‘Cyberdemocracy: Internet and the Public Sphere’, in David Porter ed, Internet Culture, London: Routledge, pp.201-217.

Ilya Prigogine and Isabelle Stengers (1985), Order Out of Chaos: Man’s New Dialogue With Nature, London: HarperCollins.

Jonathan Rée (1999), I See a Voice: a Philosophical History, London: Flamingo.

John Rees (1998), The Algebra of Revolution: The Dialectic and the Classical Marxist Tradition, London: Routledge.

Howard Rheingold (1994), The Virtual Community: Finding Connection in a Computerised World, Secker & Warburg.

John Roberts (2000), ‘On Autonomy and the Avant-Garde’, in Radical Philosophy, issue 103, Sept/Oct.

Kevin Robins (1997), ‘The New Communications Geography and the Politics of Optimism’ in Soundings: Media Worlds, Issue 5, Spring, pp. 191-202.

Benedict Seymour (2001), ‘Nationalise This: What Next for Anti-Globalisation Protests’, in ‘Two Views on Recent Anti-Capitalist Protests’, Radical Philosophy, issue 107, May/June.

Peter Singer (1983), Hegel, Oxford: Oxford University Press.

Cornelia Sollfrank (2001) ‘Hacking the Art Operating System’, interviewed by Florian Cramer, Chaos Computer Club (German Hacker's Club) in Berlin, (published 2002-3), Manchester: Manchester University Press in association with Duncan of Jordanstone College of Art and Design.

Hans-Peter Schwarz (1997), Media-Art-History: Media Museum, ZKM: Center for Art and Media, Karlsruhe, Munich: Prestel.

Steve Talbott (1995), The Future Does Not Compute: Transcending the Machines in Our Midst, Sebastopol, CA: O’Reilly & Associates.

Tiziana Terranova (2000), ‘Free labor: producing culture for the digital economy’, Social Text, 63, Vol. 18, No. 2, pp. 33/57; <http://www.btinternet.com/~t.terranova/freelab.html>

Sherry Turkle (1997), Life on the Screen: Identity in the Age of the Internet, London: Phoenix.

Tristan Tzara (1998), ‘Dada Manifesto’ (1918), in Charles Harrison & Paul Wood, Art in Theory: 1900-1990: an anthology of changing ideas, Oxford: Blackwell, pp. 249-253.

Gianni Vattimo (1992), The Transparent Society, trans. David Webb, Cambridge: Polity Press.

Roman Verostko (1988), ‘Epigenetic Art: Software as Genotype’, <http://www.invisum.com/epigenet.html>

Roman Verostko (1996), (Algorist Definitions), <http://www.verostko.com/algorithm.html>

McKenzie Wark (2001), ‘Hacker Manifesto 2.0’, <http://www.feelergauge.net/projects/hackermanifesto/version_2.0/>

Tomas P. Weissert (1991), ‘Representation and Bifurcation: Borges’s Garden of Chaos Dynamics’ in N. Katherine Hayles, ed., Chaos and Order, Chicago: University of Chicago Press, pp. 223-243.

Raymond Williams (1988), Keywords: A vocabulary of culture and society, London: Fontana.

Stephen Wilson (2002), Information Arts: Intersections of Art, Science and Technology, Cambridge, Mass.: MIT Press.

Richard Wright (1998), Montage - Transformation - Allegory: A Study of Digital Imaging in Dialectical Film Making, unpublished PhD thesis, London Guildhall University.

Slavoj Zizek, ed. (1997), ‘Introduction’ in Mapping Ideology, London: Verso.

Slavoj Zizek (1999), 'Is It Possible to Traverse the Fantasy in Cyberspace?', in Elizabeth Wright & Edmond Wright, The Zizek Reader, Oxford: Blackwell, pp. 102-124.

Slavoj Zizek (1999), ‘Introduction: A Spectre Is Haunting Western Academia…’ in The Ticklish Subject, London: Verso, pp. 1-5.

Slavoj Zizek (1999), ‘The Hegelian Ticklish Subject’ in The Ticklish Subject: the absent centre of political ontology, London: Verso, pp. 70-123.

Slavoj Zizek (1998), The Spectre Is Still Roaming Around!, [an introduction to the 150th Anniversary Edition of The Communist Manifesto], Zagreb: Bastard Books.

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