Hello world!

* This is a simple site for anti-thesis.net, endlessly under construction * A “Hello World” program is usually the first computer program that people use when learning a programming language. It simply prints “Hello World!” on a display device and

/ Comments Off

Hello world!

* This is a simple site for anti-thesis.net, endlessly under construction * A “Hello World” program is usually the first computer program that people use when learning a programming language. It simply prints “Hello World!” on a display device and

/ Comments Off

01.01.CM: Collection of Museum of Ordure

01.01.CM collection of the Museum of Ordure Museum of Ordure Antipyrine, 2014 272pp. supported by the Danish Arts Council © Copyfarleft / kopimi 2014 ISBN 978-87-93108-07-3 www.ordure.org/collection/01-01-CM The work derives from an earlier work published as Cover Versions: The Communist

/ Comments Off

01.01.CM: Collection of Museum of Ordure

01.01.CM collection of the Museum of Ordure Museum of Ordure Antipyrine, 2014 272pp. supported by the Danish Arts Council © Copyfarleft / kopimi 2014 ISBN 978-87-93108-07-3 www.ordure.org/collection/01-01-CM The work derives from an earlier work published as Cover Versions: The Communist

/ Comments Off

Speaking Code

New book: Speaking Code: Coding as Aesthetic and Political Expression. Text Geoff Cox / Code Alex McLean / Foreword Franco “Bifo” Berardi. Published by MIT Press, Autumn 2012. See www.speaking-code.net

/ Comments Off

Speaking Code

New book: Speaking Code: Coding as Aesthetic and Political Expression. Text Geoff Cox / Code Alex McLean / Foreword Franco “Bifo” Berardi. Published by MIT Press, Autumn 2012. See www.speaking-code.net

/ Comments Off

Museum of Ordure

The Museum of Ordure is a self-institution that explores the cultural value of ordure through its projects and ongoing public collections. It takes a special interest in the management of human waste and its impact on the concept of the

/ Comments Off

Museum of Ordure

The Museum of Ordure is a self-institution that explores the cultural value of ordure through its projects and ongoing public collections. It takes a special interest in the management of human waste and its impact on the concept of the

/ Comments Off

project.arnolfini

project.arnolfini produces online commissions in relation to the curatorial programme of Arnolfini (a centre for contemporary art in Bristol, UK). It offers an online space for experimentation and critique often in conjunction with other offline actions. See project.arnolfini.org.uk for current

/ Comments Off

project.arnolfini

project.arnolfini produces online commissions in relation to the curatorial programme of Arnolfini (a centre for contemporary art in Bristol, UK). It offers an online space for experimentation and critique often in conjunction with other offline actions. See project.arnolfini.org.uk for current

/ Comments Off

anti-thesis

My PhD thesis (first written in 2006) is now available as a book. If you’d like one, please email me. ANTITHESIS: THE DIALECTICS OF SOFTWARE ART. Price: 15.00 EURO. Published by DARC, Aarhus University, DK (2010). ISBN 87-91810-15-9. ANTITHESIS argues

/ Comments Off

anti-thesis

My PhD thesis (first written in 2006) is now available as a book. If you’d like one, please email me. ANTITHESIS: THE DIALECTICS OF SOFTWARE ART. Price: 15.00 EURO. Published by DARC, Aarhus University, DK (2010). ISBN 87-91810-15-9. ANTITHESIS argues

/ Comments Off

codeworks

A number of codeworks have been produced over the years. crowd_code is an early codework from 1999 (written with Mark Winstanley). child is a simple one (2000). Me-Not-Me script, for transart collective show, Sideshow gallery, New York (2010). Everything-Nothing, for

/ Comments Off

codeworks

A number of codeworks have been produced over the years. crowd_code is an early codework from 1999 (written with Mark Winstanley). child is a simple one (2000). Me-Not-Me script, for transart collective show, Sideshow gallery, New York (2010). Everything-Nothing, for

/ Comments Off

everything-nothing

Everything-Nothing, as part of In-between exhibition, Concent Art, Berlin (2010).

/ Comments Off

everything-nothing

Everything-Nothing, as part of In-between exhibition, Concent Art, Berlin (2010).

/ Comments Off

me-not-me

// transitional codework $yahooKey = ‘unlock yahoo’; $me_description = array(); $me_picture = array(); $me_query = “Geoff%20Cox”; $me_request = ‘http://search.yahooapis.com/WebSearchService/V1/webSearch?appid=’.$yahooKey.’&query=’.$me_query.’&results=20′; // rather than a narcissistic attitude towards objects // as projections of self: me // the object is recognised as separate

/ Comments Off

me-not-me

// transitional codework $yahooKey = ‘unlock yahoo’; $me_description = array(); $me_picture = array(); $me_query = “Geoff%20Cox”; $me_request = ‘http://search.yahooapis.com/WebSearchService/V1/webSearch?appid=’.$yahooKey.’&query=’.$me_query.’&results=20′; // rather than a narcissistic attitude towards objects // as projections of self: me // the object is recognised as separate

/ Comments Off

DATA browser

The DATA browser series presents critical texts that explore issues at the intersection of art, technology and politics. Current publications: DB 01 – ECONOMISING CULTURE / DB 02 – ENGINEERING CULTURE / DB 03 – CURATING IMMATERIALITY / DB 04

/ Comments Off

DATA browser

The DATA browser series presents critical texts that explore issues at the intersection of art, technology and politics. Current publications: DB 01 – ECONOMISING CULTURE / DB 02 – ENGINEERING CULTURE / DB 03 – CURATING IMMATERIALITY / DB 04

/ Comments Off